On the Old Road, Vol. 2 (of 2): A Collection of Miscellaneous Essays and Articles on Art and LiteratureRuskin, John
General
On the Old Road, Vol. 2 (of 2): A Collection of Miscellaneous Essays and Articles on Art and Literature
Ruskin, John
Art; Essays; Literature
And it seems to me that the aim of elementary metaphysical study might
henceforth become more practical than that of any other science. For in
hitherto taking little cognizance of the limitation of thought by the
structure of the body, we have surely also lost sight of the power of
certain modes of thought over the processes of that structure. Taking,
for instance, the emotion of anger, of which the cephalopoda are indeed
as capable as we are, but inferior to us in being unable to decide
whether they do well to be angry or not, I do not think the chemical
effect of that emotion on the particles of the blood, in decomposing and
otherwise paralyzing or debilitating them, has been sufficiently
examined, nor the actual quantity of nervous energy which a fit of anger
of given violence withdraws from the body and restores to space, neither
the correlative power of volition in restraining the passion, or in
directing the choice of salutary thought, as of salutary herbs on
streams. And even we painters, who dare not call ourselves capable of
thought, are capable of choice in more or less salutary vision. In the
degree in which we lose such power of choice in vision, so that the
spectral phenomena which are the materials of our industry present
themselves under forms beyond our control, we become insane; and
although for all our best work a certain degree of this insanity is
necessary, and the first occurring conceptions are uncommanded, as in
dreams, we have, when in health, always instantaneous power of accepting
some, refusing others, perfecting the outlines and colors of those we
wish to keep, and arranging them in such relations as we choose.
304. And unquestionably the forms of the body which painters
instinctively recognize as best, and call "beautiful," are so far under
the command of the plastic force of voluntary thought, that the
original and future authority of such a plastic force over the whole of
creation cannot but seem to painters a direct, though not a certain
influence; and they would at once give their adherence to the statement
made many years since in his opening lectures in Oxford by the present
Regius Professor of Medicine (as far as I can recollect approximately,
in these terms)--that "it is quite as logical, and far more easy, to
conceive of original anima as adapting itself to forms of substance,
than of original substance as adapting to itself modes of mind."
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