On the Old Road, Vol. 2 (of 2): A Collection of Miscellaneous Essays and Articles on Art and LiteratureRuskin, John
General
On the Old Road, Vol. 2 (of 2): A Collection of Miscellaneous Essays and Articles on Art and Literature
Ruskin, John
Art; Essays; Literature
2. Often, both in those days, and since, I have put myself hard to it,
vainly, to find words wherewith to tell of beautiful things; but beauty
has been in the world since the world was made, and human language can
make a shift, somehow, to give account of it, whereas the peculiar
forces of devastation induced by modern city life have only entered the
world lately; and no existing terms of language known to me are enough
to describe the forms of filth, and modes of ruin, that varied
themselves along the course of Croxsted Lane. The fields on each side of
it are now mostly dug up for building, or cut through into gaunt corners
and nooks of blind ground by the wild crossings and concurrencies of
three railroads. Half a dozen handfuls of new cottages, with Doric
doors, are dropped about here and there among the gashed ground: the
lane itself, now entirely grassless, is a deep-rutted, heavy-hillocked
cart-road, diverging gatelessly into various brickfields or pieces of
waste; and bordered on each side by heaps of--Hades only knows
what!--mixed dust of every unclean thing that can crumble in drought,
and mildew of every unclean thing that can rot or rust in damp: ashes
and rags, beer-bottles and old shoes, battered pans, smashed crockery,
shreds of nameless clothes, door-sweepings, floor-sweepings, kitchen
garbage, back-garden sewage, old iron, rotten timber jagged with
out-torn nails, cigar-ends, pipe-bowls, cinders, bones, and ordure,
indescribable; and, variously kneaded into, sticking to, or fluttering
foully here and there over all these,--remnants broadcast, of every
manner of newspaper, advertisement or big-lettered bill, festering and
flaunting out their last publicity in the pits of stinking dust and
mortal slime.
Public-domain text, read in full here on John Shaqi.
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