On the Old Road, Vol. 2 (of 2): A Collection of Miscellaneous Essays and Articles on Art and LiteratureRuskin, John
General
On the Old Road, Vol. 2 (of 2): A Collection of Miscellaneous Essays and Articles on Art and Literature
Ruskin, John
Art; Essays; Literature
Bring hither the pink and purple cullumbine
With gylliflowers;
Bring coronatioens, and sops in wine,
Worn of paramours;
Strow me the ground with daffadowndillies
And cowslips, and kingcups, and loved lilies;
The pretty paunce
And the chevisaunce
Shall match with the fair flowre-delice."[82]
71. Two short pieces more only of master song, and we have enough to
test all by.
(1)
"No more, no more, since thou art dead,
Shall we e'er bring coy brides to bed,
No more, at yearly festivals,
We cowslip balls
Or chains of columbines shall make,
For this or that occasion's sake.
No, no! our maiden pleasures be
Wrapt in thy winding-sheet with thee."[83]
(2)
"Death is now the phoenix nest,
And the turtle's loyal breast
To eternity doth rest.
Truth may seem, but cannot be;
Beauty brag, but 'tis not she:
Truth and beauty buried be."[84]
72. If now, with the echo of these perfect verses in your mind, you turn
to Byron, and glance over, or recall to memory, enough of him to give
means of exact comparison, you will, or should, recognize these
following kinds of mischief in him. First, if anyone offends him--as for
instance Mr. Southey, or Lord Elgin--"his manners have not that repose
that marks the caste," etc. _This_ defect in his Lordship's style, being
myself scrupulously and even painfully reserved in the use of
vituperative language, I need not say how deeply I deplore.[85]
Secondly. In the best and most violet-bedded bits of his work there is
yet, as compared with Elizabethan and earlier verse, a strange taint; an
indefinable--evening flavor of Covent Garden, as it were;--not to say,
escape of gas in the Strand. That is simply what it proclaims
itself--London air. If he had lived all his life in Green-head Ghyll,
things would of course have been different. But it was his fate to come
to town--modern town--like Michael's son; and modern London (and Venice)
are answerable for the state of their drains, not Byron.
Thirdly. His melancholy is without any relief whatsoever; his jest
sadder than his earnest; while, in Elizabethan work, all lament is full
of hope, and all pain of balsam.
Of this evil he has himself told you the cause in a single line
prophetic of all things since and now. "Where _he_ gazed, a gloom
pervaded space."[86]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account