On the Old Road, Vol. 2 (of 2): A Collection of Miscellaneous Essays and Articles on Art and LiteratureRuskin, John
General
On the Old Road, Vol. 2 (of 2): A Collection of Miscellaneous Essays and Articles on Art and Literature
Ruskin, John
Art; Essays; Literature
And loving Scott well, and always doing him every possible pleasure in
the way he sees to be most agreeable to him--as, for instance,
remembering with precision, and writing down the very next morning,
every blessed word that the Prince Regent had been pleased to say of
him before courtly audience,--he yet conceived that such cheap ryming as
his own "Bride of Abydos," for instance, which he had written from
beginning to end in four days, or even the traveling reflections of
Harold and Juan on men and women, were scarcely steady enough Sunday
afternoon's reading for a patriarch-Merlin like Scott. So he dedicates
to him a work of a truly religious tendency, on which for his own part
he has done his best,--the drama of "Cain." Of which dedication the
virtual significance to Sir Walter might be translated thus. Dearest and
last of Border soothsayers, thou hast indeed told us of Black Dwarfs,
and of White Maidens, also of Gray Friars, and Green Fairies; also of
sacred hollies by the well, and haunted crooks in the glen. But of the
bushes that the black dogs rend in the woods of Phlegethon; and of the
crooks in the glen, and the bickerings of the burnie where ghosts meet
the mightiest of us; and of the black misanthrope, who is by no means
yet a dwarfed one, and concerning whom wiser creatures than Hobbie
Elliot may tremblingly ask "Gude guide us, what's yon?" hast thou yet
known, seeing that thou hast yet told, _nothing_.
Scott may perhaps have his answer. We shall in good time hear.
FOOTNOTES:
[Footnote 73: September, 1880.]
[Footnote 74: "It must be put by the original, stanza for stanza, and
verse for verse; and you will see what was permitted in a Catholic
country and a bigoted age to Churchmen, on the score of Religion--and so
tell those buffoons who accuse me of attacking the Liturgy.
"I write in the greatest haste, it being the hour of the Corso, and I
must go and buffoon with the rest. My daughter Allegra is just gone with
the Countess G. in Count G.'s coach and six. Our old Cardinal is dead,
and the new one not appointed yet--but the masquing goes on the same."
(Letter to Murray, 355th in Moore, dated Ravenna, Feb. 7, 1820.) "A
dreadfully moral place, for you must not look at anybody's wife, except
your neighbor's."]
[Footnote 75: See quoted _infra_ the mock, by Byron, of himself and all
other modern poets, "Juan," canto iii. stanza 80, and compare canto xiv.
stanza 8. In reference of future quotations the first numeral will stand
always for canto; the second for stanza; the third, if necessary, for
line.]
[Footnote 76: "Island," ii. 16, where see context.]
[Footnote 77: "Juan," viii. 5; but, by your Lordship's quotation,
Wordsworth says "instrument,"--not "daughter." Your Lordship had better
have said "Infant" and taken the Woolwich authorities to witness: only
Infant would not have rymed.]
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