On the Old Road, Vol. 2 (of 2): A Collection of Miscellaneous Essays and Articles on Art and LiteratureRuskin, John
General
On the Old Road, Vol. 2 (of 2): A Collection of Miscellaneous Essays and Articles on Art and Literature
Ruskin, John
Art; Essays; Literature
108. All healthy and helpful literature sets simple bars between right
and wrong; assumes the possibility, in men and women, of having healthy
minds in healthy bodies, and loses no time in the diagnosis of fever or
dyspepsia in either; least of all in the particular kind of fever which
signifies the ungoverned excess of any appetite or passion. The
"dullness" which many modern readers inevitably feel, and some modern
blockheads think it creditable to allege, in Scott, consists not a
little in his absolute purity from every loathsome element or excitement
of the lower passions; so that people who live habitually in Satyric or
hircine conditions of thought find him as insipid as they would a
picture of Angelico's. The accurate and trenchant separation between him
and the common railroad-station novelist is that, in his total method of
conception, only lofty character is worth describing at all; and it
becomes interesting, not by its faults, but by the difficulties and
accidents of the fortune through which it passes, while, in the railway
novel, interest is obtained with the vulgar reader for the vilest
character, because the author describes carefully to his recognition the
blotches, burrs and pimples in which the paltry nature resembles his
own. The "Mill on the Floss" is perhaps the most striking instance
extant of this study of cutaneous disease. There is not a single person
in the book of the smallest importance to anybody in the world but
themselves, or whose qualities deserved so much as a line of printer's
type in their description. There is no girl alive, fairly clever, half
educated, and unluckily related, whose life has not at least as much in
it as Maggie's, to be described and to be pitied. Tom is a clumsy and
cruel lout, with the making of better things in him (and the same may be
said of nearly every Englishman at present smoking and elbowing his way
through the ugly world his blunders have contributed to the making of);
while the rest of the characters are simply the sweepings out of a
Pentonville omnibus.[100]
Public-domain text, read in full here on John Shaqi.
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