On the Old Road, Vol. 2 (of 2): A Collection of Miscellaneous Essays and Articles on Art and LiteratureRuskin, John
General
On the Old Road, Vol. 2 (of 2): A Collection of Miscellaneous Essays and Articles on Art and Literature
Ruskin, John
Art; Essays; Literature
202. I had gone into the Museum that day to see the exact form of a
duck's wing, the examination of a lively young drake's here at Coniston
having closed in his giving me such a cut on the wrist with it, that I
could scarcely write all the morning afterwards. Now in the whole bird
gallery there are only two ducks' wings expanded, and those in different
positions. Fancy the difference to the mob, and me, if the shells and
monkey skeletons were taken away from the mid-gallery, and instead,
three gradated series of birds put down the length of it (or half the
length--or a quarter would do it--with judgment), showing the
transition, in length of beak, from bunting to woodcock--in length of
leg, from swift to stilted plover--and in length of wing, from auk to
frigate-bird; the wings, all opened, in one specimen of each bird to
their full sweep, and in another, shown at the limit of the down back
stroke. For what on earth--or in air--is the use to me of seeing their
boiled sternums and scalped sinciputs, when I'm never shown either how
they bear their breasts--or where they carry their heads?
Enough of natural history, you will say! I will come to art in my next
letter--finishing the ugly subject of this one with a single sentence
from section ix. of the "Tale of a Tub," commending the context of it to
my friends of the Royal Academy.
"Last week, I saw a woman flayed, and you will hardly believe how much
it altered her person for the worse."--Ever, my dear ----, affectionately
yours,
J. R.
_7th April, 1880._
MY DEAR ----,
203. I suppose that proper respect for the great first principles of the
British Constitution, that every man should do as he pleases, think what
he likes, and see everything that can be seen for money, will make most
of your readers recoil from my first principle of Museum
arrangement,--that nothing should be let inside the doors that isn't
good of its sort,--as from an attempt to restore the Papacy, revive the
Inquisition, and away with everybody to the lowest dungeon of the
castle moat. They must at their pleasure charge me with these sinister
views; they will find that there is no dexter view to be had of the
business, which does not consist primarily in knowing Bad from Good, and
Right from Wrong. Nor, if they will condescend to begin simply enough,
and at the bottom of the said business, and let the cobbler judge of the
crepida, and the potter of the pot, will they find it so supremely
difficult to establish authorities that shall be trustworthy, and
judgments that shall be sure.
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