On the Portraits of English Authors on Gardening,: with Biographical Notices of Them, 2nd edition, with considerable additionsFelton, Samuel
History
On the Portraits of English Authors on Gardening,: with Biographical Notices of Them, 2nd edition, with considerable additions
Felton, Samuel
Gardening -- Bibliography; Horticulturists -- England
who, with many collected particulars of Abercrombie, relates the great
and continually increasing sale of some of his works.
LAUNCELOT BROWNE, Esq.
His portrait was painted by Dance, and engraved by Sherwin. Under this
portrait are engraved the following lines, from the pen of Mr. Mason,
which are also inscribed on the tomb of Mr. Browne, in the church of
Fen-Staunton, Huntingdonshire:
_Ye sons of elegance, who truly taste
The simple charms which genuine art supplies,
Come from the sylvan scenes his genius drew,
And offer here your tributary sighs.
But know, that more than genius slumbers here,
Virtues were his that art's best powers transcend,
Come, ye superior train! who these revere,
And weep the christian, husband, father, friend._
Mr. Walpole, too, pays Mr. Browne this elegant compliment: "Did living
artists come within my plan, I should be glad to do justice to Mr.
Browne; but he may be a gainer by being reserved for some abler pen."
This celebrated landscape gardener died suddenly, in Hertford Street,
May Fair, on the 6th of February, 1783, on his return from a visit to
his old friend the Earl of Coventry. Mr. Browne, though bred a common
gardener at Stowe, possessed a cultivated mind, and his society was much
courted. Joseph Cradock, Esq. called him "a most agreeable, unassuming
man." He amassed a large fortune. He was consulted by most of the
nobility and gentry, and the places he laid out or altered, were, as Mr.
Loudon observes, beyond all reckoning. Mr. Repton has given a list of
his principal works.
It has been the fate of this eminent master of landscape embellishment,
to be severely censured by some, and lavishly praised by others. The
late keen and consummate observer of landscape scenery, Sir Uvedale
Price, harshly condemns the too frequent cold monotony and tameness of
many of Mr. Browne's creations, and his never transfusing into his works
any thing of the taste and spirit which prevail in the poet Mason's
precepts and descriptions; and in one of his acute, yet pleasant pages,
he alludes to his having but _one_ and the same plan of operation;
_Sangrado_-like, treating all disorders in the same manner. Perhaps the
too general smoothness and tameness of Mr. Browne's pleasure-grounds ill
accorded with Sir Uvedale's enthusiasm for the more sublime views of
forest scenery, rapid and stony torrents and cascades, wild entangled
dingles, and craggy breaks; or with the high and sublime notions he had
imbibed from the rich scenery of nature so often contemplated by him in
the landscapes of _Claude_, or in those of _Rubens_, _Gaspar Poussin_,
_Salvator Rosa_, or of _Titian_, "the greatest of all landscape
painters." Perhaps Sir Uvedale preferred "unwedgeable and gnarled oaks,"
to "the tameness of the poor pinioned trees of a gentleman's plantation,
drawn up straight," or the wooded banks of a river, to the "bare shaven
border of a canal."[88]
Public-domain text, read in full here on John Shaqi.
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