On the Portraits of English Authors on Gardening,: with Biographical Notices of Them, 2nd edition, with considerable additionsFelton, Samuel
History
On the Portraits of English Authors on Gardening,: with Biographical Notices of Them, 2nd edition, with considerable additions
Felton, Samuel
Gardening -- Bibliography; Horticulturists -- England
[47] Lord Bacon says, "Because the breath of flowers is far sweeter in
the air (where it comes and goes, like the warbling of musick) than in
the hand, therefore nothing is more fit for that delight, than to know
what be the flowers and plants that do best perfume the air." The Prince
de Ligne says,
Je ne veux point avoir l'orgueilleuse tulipe;
_L'odorat en jardin_ est mon premier principe.
The translation of _Spectacle de la Nature_, a very pleasing work,
observes that "Flowers are not only intended to beautify the earth with
their shining colours, but the greatest part of them, in order to render
the entertainment more exquisite, diffuse a fragrance that perfumes all
the air around us; and it should seem as if they were solicitous to
_reserve their odours for the evening and morn_, when walking is most
agreeable; but their sweets are very faint during the heat of the day,
when we visit them the least."
I must again trespass on the pages of the great Bacon, by briefly
shewing the _natural wildness_ he wishes to introduce into one part of
his garden:--"thickets, made only of sweet-briar and honeysuckle, and
some wild vine amongst, and the ground set with violets, strawberries,
and primroses; for these are sweet, and prosper in the shade."
The dew or pearly drops that one sees in a morning on cowslips, remind
one of what is said of Mignon:--"Ses ouvrages sont précieux par l'art
avec le quel il représentoit les fleurs dans tout leur éclat, et les
fruits avec toute leur fraicheur. La rosée et les goutes d'eau qu'elle
répand sur les fleurs, sont si bien imitées dans ses tableaux, qu'on est
tenté d'y porter la main." It is said also that in the works of
Van-Huysum, "le velouté des fruits, l'éclat des fleurs, le transparent
de la rosée, tout enchante dans les tableaux de ce peintre admirable."
Sir U. Price observes of this latter painter, "that nature herself is
hardly more soft and delicate in her most delicate productions, than the
copies of them by Van-Huysum." Two flower pieces by this painter, sold
at the Houghton sale for 1200_l._
In the pieces of _Bos_, a Flemish painter, the dew was represented so
much like nature, as to deserve universal approbation.
Bernazzano painted strawberries on a wall so naturally, that, we are
told, the plaster was torn down by the frequent pecking of peacocks.
Amidst these celebrated painters, these admiring judges of nature, let
us not forget our never-dying Hogarth; his piercing eye even discovers
itself in his letter to Mr. Ellis, the naturalist:--"As for your pretty
little seed cups, or vases, they are a sweet confirmation of the
pleasure nature seems to take in superadding an elegance of form to most
of her works, wherever you find them. How poor and bungling are all the
inventions of art!"
Public-domain text, read in full here on John Shaqi.
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