They sew, too, and many do exceedingly pretty fancy work. They don’t
have to keep their circus clothes in order. The “circus mother” does
that, but they do all the mending of personal garments, and besides
keep some sort of pickup work on hand. There isn’t a home of a circus
woman that is not furnished with the covers of some sort she has made
during the season. One seldom sees a circus woman in a city after the
season is over. She flees from it. She detests the noise and bustle,
and, almost without exception, they all live in little country towns,
where they practise during the winter, go early to bed and are in fine
condition when the season opens.
I know that it is a common thing to believe that a circus woman has
no modesty, but the impression is a mistaken one. She can dress as
she does and perform, and still be a perfectly good, pure woman.
That is because no town has any identity to her, nor any person any
individuality. It makes no difference to her whether the show is in New
York City or Kalamazoo. There is simply a performance to be given, and
she is not playing to any one person. There is no “he” in the audience
who may be attracted to take her out to supper afterwards. He wouldn’t
have the chance to speak to her, if he wanted to, and if she seems to
him an earth-born fairy, she never knows it. No women could live more
protected lives. The performance isn’t over until eleven o’clock, and
all must be in the cars of the circus train by midnight, when the cars
are usually locked for the night; and when one remembers that a circus
woman is almost invariably married, and that her husband is with her,
it can be appreciated that the moral standard of the profession is
high. Most of the circus women support families, and their leisure
between performances is spent in sewing--perhaps garments for younger
children at home, or, as a matter of economy, for themselves; for they
save every possible penny, finding incentive and practical aid in the
fact that they need not consider the expense of living in the necessary
outlay.
Public-domain text, read in full here on John Shaqi.
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