The pretty and pleasant and picturesque part of daily life under canvas
comes after the substantial meal at five o’clock, when for two hours
there is rest for all save the hard worked side-show establishment.
The woman performers, busy with fancy work and sewing; the men talking
over the gossip of the ring; the children playing among themselves, and
with the pet ponies, form a charming picture on the greensward back of
the tents. Down from the southern hills steals the softly descending
darkness, swift shadows move through the lingering twilight across the
big tent and hang about the lot, and color comes into the white moon
above. A breeze, long desired and grateful, sweeps through the place.
Naphtha torches flare as the wind blows them about. Inside the “big
top,” the long stretches of seats barren of spectators, the equestrian
director is disciplining an obstinate “cake walking” horse; the cycle
sextet perfect a new pose; the clown is acting as ringmaster, while
his wife rehearses her riding act, and ten gymnasts in the high white
dome of the canvas plan more breath-taking aerial flights. Suddenly the
shrill shriek of a whistle, a scampering to dressing-rooms, ushers in
place and the evening audience pours into the seats.
CHAPTER IX
NIGHT SCENES AND EMBARKATION
Active preparations for the departure from town begin with the setting
of the sun. When the naphtha torches spread their fluttering glow and
when the men in the ticket wagon lift up its end and are ready for the
evening sale, then canvasman, driver and porter swarm from the comfort
of hay couch or from idling group, and are ready for the night’s work.
Team horses feel again the weight of harness, and the march to the
railroad yards is on. Horse, cook, wardrobe, blacksmith, barber and
the other tents spread over the lot drop to earth, are quickly rolled
up and packed away. The sound of loading stakes, chains, ropes and
poles resounds through the premises. Heavy wagons are soon rumbling
through the streets and left convenient to the man at the cars. Then
the teamster, returning leisurely to the lot, finds his second vehicle
awaiting final transfer.
Public-domain text, read in full here on John Shaqi.
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