I am sure that I have travelled more miles in my life than any other
horse ever born and have displayed through it all more hardihood than
any, save perhaps Mayfly, whose famous career has been recited many
times in circus camps. He antedated me many years. They tell of his
standing trip of one hundred and ninety days from Sydney, Australia, to
Valparaiso, Chili, and his subsequent rough overland journey to various
parts of the republic and back again to the Pacific Ocean. Then he was
taken by water to San Francisco, a three months’ trying experience, and
later around the southern continent to New York. It was enough to wreck
the finest constitution, but he never flinched. He and his sister,
Black Bess, were of pure Arab extraction, and some of the finest horses
in California to-day date their parentage from them. As bareback
performers they have had few superiors.
Then I remember, too, many renowned animals of my time. The Russian
horse Zib, who was poisoned in Mexico, achieved fame more for his
tricks than his ring exhibitions. Dan Rice’s horses Excelsior and
Excelsior, Jr., although both blind, were wonderfully intelligent.
Obeying their master’s directions, they would grope to a pedestal,
place the left foot on its staff, bend the right leg gracefully and
incline both ears forward as if in the act of listening. How often
have I, in an adjacent ring, seen the veteran clown turn proudly to
the audience and heard him announce: “Mark well the beauty of the
curve of the right leg, which strikes the eye of the sculptor. Horace
Greeley calls them the horses with souls of men!” Levi J. North’s horse
Cincinnatus was probably the first “dancing” equine, and Stickney’s
Tammany was the best jumper that ever came to my knowledge. Wicked
Will, owned by Spalding and Rogers, eclipsed most animals in difficult
feats of various kinds. Rarey’s horse Cruiser, although never a circus
performer, was invaluable to his owner in horse “taming” exhibitions,
and seemed to execute his duties with human intelligence.
Thus I live again the days of old and unfold the roll of my eventful
history. My thoughts travel fondly back to the scenes I am to behold no
more, and my heart throbs with emotions excited by their reminiscences.
I remember those gone to their rest and shed a tear to their memory.
For myself, only ignominy and mental anguish. I, who have been an honor
to my birthplace and an ornament to my race, wearily await the final
summons. In the array of names of illustrious circus horses, may my
memory be cherished faithfully is the hope of miserable
TOM KEENE.
CHAPTER XII
THE CIRCUS BAND
BY BANDMASTER WILLIAM MERRICK
Public-domain text, read in full here on John Shaqi.
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