On the Stage--and Off: The Brief Career of a Would-Be ActorJerome, Jerome K. (Jerome Klapka)
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On the Stage--and Off: The Brief Career of a Would-Be Actor
Jerome, Jerome K. (Jerome Klapka)
Actors -- Great Britain -- Biography; Jerome, Jerome K. (Jerome Klapka), 1859-1927
“The strain has so upset me, that I don’t even now know whether I’m
standing on my head or my heels; and, our First Old Man--but I’ll
come to him later on. My work has been particularly heavy, for, in
consequence of a serious accident that has happened to our Walking
Gentleman, I’ve had to take his place. He was playing a part in which
somebody--the Heavy Man--tries to stab him while he’s asleep. But just
when the would-be murderer has finished soliloquizing, and the blow is
about to fall, he starts up, and a grand struggle ensues. I think the
other fellow must have been drunk on the last occasion..Anyhow, the
business was most clumsily managed, and R--------, our Walking
Gent, got his eye cut out, and is disfigured for life. It is quite
impossible for him now to play his old line, and he has to do heavies
or low comedy, or anything where appearance is of no importance.
The poor fellow is terribly cut up--don’t think I’m trying to make
a ghastly joke--and he seems to be especially bitter against me for
having slipped into his shoes. I’m sure he need not be; whatever good
his ill wind has blown me has brought with it more work than it’s
worth; and I think, on the whole, taking this star business into
consideration, I would rather have stopped where I was. I knew a good
many of the parts I should have had to play, but as it is, everything
has been fresh study.
“Well, I was going to tell you about our old man. He had always
boasted that he hadn’t studied for the last ten years. I don’t know
what particular merit there was in this, that he should have so prided
himself upon it, but that he considered it as highly clever on his
part there could not be the slightest doubt; and he had even got to
quite despise any one who did study. You can imagine his feelings,
therefore, when sixteen long parts, eleven at least of which he had
never seen before, were placed in his hand, with a request that he
would be letter ‘perfect in all by the following Thursday. It was
observed that he didn’t say much at the time. He was a garrulous old
gentleman as a rule, but, after once glancing over the bundle, he grew
thoughtful and abstracted and did not join in the chorus of curses
loud and deep which was being sung with great vigor by the rest of the
company. The only person to whom he made any remark was myself, who
happened to be standing by the stage-door when he was going out. He
took the bundle of parts out of his pocket, and showed them to me.
‘Nice little lot, that--ain’t it?’ he said. ‘I’ll just go home and
study them all up--that’s what I’ll do.’ Then he smiled--a sad, wan
smile--and went slowly out.
“That was on Saturday evening, and on Monday morning we met at ten for
rehearsal. We went on without the old man until eleven; and then, as
he hadn’t turned up, and was much wanted, the boy was despatched to
his lodgings to see if he was there. We waited patiently for another
quarter of an hour, and then the boy returned.
Public-domain text, read in full here on John Shaqi.
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