On the Stage--and Off: The Brief Career of a Would-Be ActorJerome, Jerome K. (Jerome Klapka)
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On the Stage--and Off: The Brief Career of a Would-Be Actor
Jerome, Jerome K. (Jerome Klapka)
Actors -- Great Britain -- Biography; Jerome, Jerome K. (Jerome Klapka), 1859-1927
But it is not only to people with consciences that Sunday traveling
presents vexations. Even you, my dear reader, would find it
unpleasant. There is a subdued going-to-a-funeral air about the whole
proceeding, which makes you melancholy in spite of yourself. You
miss the usual bustling attributes of railway traveling. No crowded
platforms! no piles of luggage! no newspaper boys! The refreshment
rooms don’t seem the same places at all, and the damsels there are
haughtier then ever. When you arrive at your destination, you seem to
have come to a city of the dead. You pass through deserted streets to
your hotel. Nobody is about. You go into the coffee-room and sit down
there by yourself. After a while the boots looks in. You yearn toward
him as toward a fellow-creature. You would fall upon his neck, and
tell him all your troubles. You try to engage him in conversation, so
as to detain him in the room, for you dread to be left alone again.
But he doesn’t enter into your feelings: he answers all questions by
monosyllables, and gets away as quickly as possible. You go out for
a walk. The streets are dark and silent, and you come back more
miserable than you started. You order supper, but have no appetite,
and cannot eat it when it comes. You retire to your room early, but
cannot go to sleep. You lie there and wonder what the bill will come
to, and, while thinking of this, you are softly borne away into the
land of dreams, and fancy that the proprietor has asked you for a
hundred and eighty-seven pounds nine and fourpence ha’penny, and that
you have killed him on the spot, and left the house in your nightshirt
without paying.
[Illustration: 9163]
HE show which I now graced with my presence was a “fit-up.” I didn’t
know this beforehand, or I should never have engaged myself. A
“fit-up” is only one grade higher than a booth, which latter branch
of the profession, by the way, I have always regretted never having
explored. I missed the most picturesque and romantic portion of the
theatrical world by not penetrating into that time-forsaken corner.
Booth life is a Bohemia within a Bohemia. So far as social and
artistic position is concerned, it is at the bottom of the dramatic
ladder; but for interest and adventure, it stands at the very top.
Public-domain text, read in full here on John Shaqi.
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