On the Stage--and Off: The Brief Career of a Would-Be ActorJerome, Jerome K. (Jerome Klapka)
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On the Stage--and Off: The Brief Career of a Would-Be Actor
Jerome, Jerome K. (Jerome Klapka)
Actors -- Great Britain -- Biography; Jerome, Jerome K. (Jerome Klapka), 1859-1927
“Dear Jim: Hurrah! I’ve struck oil at last. I think it was time I did
after what I’ve gone through. I was afraid the profession would have
to do without me, but it’s all safe now. I’m in a new company--joined
last Saturday, and we’re doing splendidly. Manager is a magnificent
fellow, and a good man of business. He understands how to make the
donkey go. He advertises and bills right and left, spares no expense,
and does the thing thoroughly well. He’s a jolly nice fellow, too, and
evidently a man of intelligence, for he appreciates me. He engaged me
without my applying to him at all, after seeing me act one night last
week, when he was getting his company together. I play First Walking
Gent, at thirty-five shillings a week. He has been a captain in the
army, and is a thorough gentlemen. He never bullies or interferes,
and everybody likes him. He is going all round the North of England,
taking all the big Lancashire and Yorkshire towns, and then going to
bring us to London for the winter. He wants me to sign an agreement
for one year certain at two pounds five. I haven’t appeared to be too
anxious. It’s always best to hang back a bit in such cases, so I told
him I would think it over; but of course I shall accept. Can’t write
any more now. I’m just off to dine with him. We stop here three weeks,
and then go to --------. Very comfortable lodgings. Yours, -------”
That was written on Tuesday. On Saturday we came to the theater at
twelve for treasury. The Captain was not there. He had gone
that morning to pay a visit to Sir somebody or other, one of the
neighboring gentry, who was a great friend of his, and he had not yet
returned. He would be back by the evening--so the courteous
acting manager assured us--and treasury would take place after the
performance.
So in the evening, when the performance was over, we all assembled on
the stage, and waited. We waited about ten minutes, and then our Heavy
Man, who had gone across the way to get a glass before they shut up,
came back with a scared face to say that he’d just seen the booking
clerk from the station, who had told him that the “Captain” had left
for London by an early train that morning. And no sooner had the Heavy
Man made this announcement, than it occurred to the call boy that he
had seen the courteous acting manager leave the theater immediately
after the play had begun, carrying a small black bag.
I went back to the dressing-room, gathered my things into a bundle,
and came down again with it. The others were standing about the stage,
talking low, with a weary, listless air. I passed through them without
a word, and reached the stage door. It was one of those doors that
shut with a spring. I pulled it open, and held it back with my foot,
while I stood there on the threshold for a moment, looking out at the
night. Then I turned my coat collar up, and stepped into the street:
the stage door closed behind me with a bang and a click, and I have
never opened another one since.
THE END.
Public-domain text, read in full here on John Shaqi.
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