Gossip had long since faded away to nothingness. If anybody had wondered
at Johnny's course--a course that had run through possible dubiousness
to hard-and-fast finality--the wonder was now inaudible. If anybody felt
in him a lack of fastidiousness, the point was not pressed. The marriage
seemed a happy solution, on the whole; and the people most
concerned--those who met the new pair--appeared to feel that a problem
was off the board and glad to have it so.
Raymond, on the eve of the marriage, had softened things for himself by
leaving for a few months in Rome. Back, he began to cast about for some
means of occupation and some way of making a careful assertion of his
dignity. At this time "society" was beginning to sail more noticeably
about the edge of the arts, and an important coterie was feeling that
something might well be done to lift the drama from its state of
degradation. Why not build--or remodel--a theatre, they asked, form a
stock company, compose a repertory, and see together a series of such
performances as might be viewed without a total departure from taste and
intelligence?
The experiment ran its own quaint course. The remodeling of the hall
chosen introduced the sponsors of the movement to the fire-laws and
resulted in a vast, unlooked-for expense. A good company--though less
stress was laid on its roster than on the list of guarantors--went
astray in the hands of a succession of directors, not always competent.
The subscribers refused to occupy their boxes more than one night a
week, and, later on, not even that: the space was filled for a while
with servitors and domestic dependents, and presently by nobody....
Raymond went into the enterprise. He put in a goodly sum of money that
never came back to him; and if he cooeperated but indifferently, or
worse, he was not more inept than some of his associates. He was
displeased to learn that the McComases had given enough to the
guarantee-fund to insure them a box. And it offended him that, on the
opening night, his former wife, one of a large and assertive party,
should make her voice heard during intermissions (and at some other
times too) quite across the small auditorium. The situation was
generally felt to be piquant, and at the end of the performance people
in the lobby were amused (save the few who had the affair greatly at
heart) to hear Johnny McComas's comment on the play. It was a
far-fetched problem-play from the German, and Raymond had been one of
those who favored it for an opening.
"Did you ever see such a play in your life?" queried Johnny. "What was
it all about? And wasn't _he_ the fool!"
Public-domain text, read in full here on John Shaqi.
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