either cheek, and catching the eye of our old hostess who, the night’s
work done, had joined her guests, knitting in hand, I would nod my
response. For those eyes, so human, tolerant, and wise, said as plainly
as any words could, “What children those men are! what ‘blaguers!’” then
draw back my chair, and place it near to hers; when we would talk, sober
women’s talk—reasonable and profitable—of the cost of food under the new
tariff, and how the spaghetti had been cooked in that fresh fashion at
dinner. And if I asked the man to the right of that big man—the German
there—for a little tarragon for the vinegar, he would surely give it, for
he had a large garden, and then the Signora would present me with a
bottle. And of the Bambina, what gave it that little cough—cigarette
smoke! But he had breathed little else since he was born!
Someone would perhaps bang a fist down on the table, and fling the single
word “separation” like a lighted torch among tinder, or the big German
make bragging assertions as to the superiority of Goethe over
Shakespeare. One caught the choicest morsels from that week’s _Bulletin_
with which the art-students regaled each other, for the _Bulletin_ is the
bible of the Australian Bohemian. Or the murmur of the perennial
discussion on the Armenian question, in which the big Turk ensnared all
newcomers; less effective than it might have been owing to the fact that
in moments of excitement he forgot all the little English that he ever
had, and reverted to his mother-tongue, which no one else at table could
understand. But all this was mere sound and fury, leaving our little
oasis of quietude quite untouched. Then an immense man, who looked like
a Portuguese, but was in reality a half-caste Chinaman, would most likely
draw his chair up to mine, and join in our talk of the Bambina, with some
strange lore regarding the souls of children, and that little moment when
they remember all of the life they have lived before, while the old woman
dropped her knitting on her knee and listened open-eyed, till he drifted
off to other subjects—art and literature for the most part. He had never
been out of Australasia, and yet there seemed to be no historical spot in
Europe which he did not know intimately, not a half-forgotten verse that
he could not finish for me, not a writer whose works he had not only
read, but whose place in literature and whose influence he clearly
realized. And then sometimes he would quote Chinese poetry, accompanying
it with a running translation which was a delight to the ear.
One evening I remember some insolent, loud-voiced remarks on a “White
Australia” were flipped down the table in his direction, but he only
shrugged his great shoulders. “We shall see,” he said; “after all it is
the best who win.”
Public-domain text, read in full here on John Shaqi.
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