One little old man I particularly remember, in a faded blue blouse, who
one night began by putting down shillings and florins, and always losing.
If he shifted his stake from odd to even, from even to odd, the game
shifted too, till it seemed like some malignant fate. But still he went
on, each stake higher than the last; from half-crowns to ten-shilling
pieces, and then to sovereigns, and yet there was nothing reckless in his
air, none of the fevered excitement a European gambler would show. Only
an intense, silent, agonizing anxiety, which seemed to set such a strain
on him that all his muscles were rigid, and he appeared like a dead man,
not moving at all, excepting to automatically push forward his stakes.
One felt that his blood had ceased to circulate, that his heart no longer
beat. Only in his hungry eyes did there seem to remain a spark of life
burning fiercely beneath the wrinkled lids, which it veritably seemed to
shrivel as with fire.
At last, in a sort of desperation, he pushed forward four sovereigns—all
that remained to him in the world, I believe—placing them on the even.
Never, never shall I forget his face as the croupier raked aside with his
ivory knife the scattered counters, then very slowly—more slowly than
ever it seemed to me—with the air of performing a sacred rite, lifted the
little lid. For one moment the old gambler gazed as if spellbound at the
compact pile which remained; gave one awful shudder, which shook him like
a reed, from head to foot, and then, turning, slipped silently away among
the crowd, God only knows where, or to what—to some world of shadows, I
veritably believe, that world which is so near, so easily reached, for a
few short hours by the magic pipe, or for perpetuity by the merest prick
of a “bare bodkin.” Still I lingered, hoping past hope for the little
grey man, till the very last counter had been drawn aside—one hundred—one
hundred and one—one hundred and two—one hundred and three—odds!
From the gaming-houses we would drift into the eating-houses, and
perchance sup on savoury ragout of duck, served in a porcelain bowl,
flanked by lesser bowls, each filled with some mysterious odoriferous
condiment, or venture daringly on eggs of an infinite age and most potent
flavour; then pry into the kitchen, clean as a new pin, yet fragrant with
all the mysterious scents of the East; peep into the great caldrons in
which the brass-bound cooking vessels steamed and simmered; lift the
green jade teapot out of its wadded case, and sip tea from one of the
fragile little bowls, which are kept ever at hand in a basin of clear
cold water.
Public-domain text, read in full here on John Shaqi.
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