Then the road begins to wind steeply upwards, up and up. Every now and
then one catches the delicious sound of running water from the jealously
guarded stream that helps to supply Melbourne. As the forest grows more
dense the trees rise higher and higher in their efforts to catch the
light, their white-skinned forms hung with long, russet-tinted rags and
tatters of bark. Such trees! One’s eye follows them upwards with a
feeling that is little short of worship—not for the trees themselves,
though one might adore worse gods, but for the something pure and
elevating to which they seem to lift one. Surely no cathedral ever built
with hands could be so sacred or awe-inspiring as this sanctuary of the
woods, with its tapering white pillars, some as much as 300 feet in
height.
Far above one, on the right as one winds up the tortuous road, tower
these giant gums, their very roots adapting themselves to the steep
graduate; those on the highest part of the slope short and sturdy, stuck
out like feet at an acute angle to the trunk. The tap-root thick and
straight, and the roots on the lower slopes long and slender like ropes,
while beneath them flourish a mass of saplings and tree-ferns. To the
left one looks down on a sea of green, out of which the tallest of them
stretch white arms, and now and then, as the road turns, one catches a
glimpse of more mountains, blue with distance; or a stretch of hillside
where the trees have been stripped by fire, or ring-barked, and stand all
naked and ashen white, strangely glacial in appearance, against the blue
background.
Public-domain text, read in full here on John Shaqi.
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