Between the hours of seven and eight, when the ward was all tidied up
ready for the night, the women’s husbands were allowed in to see their
wives. It was midsummer, I remember, for I had my Christmas dinner
there—and at that hour the long ward was filled with a tender twilight.
We women who had no one to come and see us used to turn over on our sides
and gaze out of the window at the leaves of the fig-tree, black against
the pink sky—at least, I did, because there were no beds that way, other
lonely patients, with a husband and wife on either side, having to lie on
their backs and stare out stolidly in front of them; still, one could not
help seeing the men tiptoeing in—some in their Sunday black, others
straight from work in their blue dungarees—and noticing how the faces of
some of the wives would flush and glow, as if a lamp had been lit behind
the transparent white mask. And how the man would hold one hand in his,
and fling his other arm over the pillow, above his woman’s head, and say
very little, while she talked eagerly, incessantly, in a little weak
whisper. We did not want to see all this. Not that they minded, as long
as one was not ill-bred enough to stare deliberately; but it gave us a
nasty lumpy feeling in our throats—_nous autres_ who had nobody to come
and see us during that twilight hour, which always seems so completely
made for intimacy.
There is, I suppose, no state of life that does not bring its own
pleasure and its own pain; and though perhaps, the ups of life are the
most comfortable, on the whole I would award the palm for interest to the
downs; and I for one never learnt more, from all of the world that I have
known, than I did from the eight weeks in that hospital ward, where the
very atmosphere seemed to breathe content and good feeling as palpably as
it did iodoform and carbolic.
Public-domain text, read in full here on John Shaqi.
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