One Hundred Years in Yosemite: The Story of a Great Park and Its FriendsRussell, Carl Parcher
History
One Hundred Years in Yosemite: The Story of a Great Park and Its Friends
Russell, Carl Parcher
Yosemite National Park (Calif.) -- History; Yosemite Valley (Calif.) -- History
The vehicle that whirled Beadle over the flat of the valley floor was
brought to Yosemite before roads were constructed and is now exhibited
at the Yosemite Museum as “the first wagon in Yosemite Valley.”
The arrival of visitors prompted the building of shelters. The first
habitation to be constructed by white men in Yosemite was a rough shack
put up in 1855 by a party of surveyors, of which Bunnell was a member. A
company had been organized to bring water from the foot of the valley
into the dry diggings of the Mariposa estate. It was supposed that a
claim in the valley would doubly secure the water privileges.
The first permanent structure was built in 1856 by Walworth and Hite. It
was constructed of pine boards that were rived out by hand, and occupied
the site of the 1851 camp of Boling’s party (near the foot of the
present Four-Mile Trail to Glacier Point). It was known as the Lower
Hotel until 1869, when it was pulled down, and Black’s Hotel was
constructed on the spot.
In the spring of 1857, Beardsley and Hite put up a canvas-covered house
in the old village. The next year this was replaced by a wooden
structure, the planks for which had been whipsawed by hand. J. M.
Hutchings was again in the valley in 1859, and his _California Magazine_
for December of that year tells of the first photographs to be made in
Yosemite. C. L. Weed, a pioneer photographer apparently working for R.
H. Vance, packed a great instrument and its bulky equipment through the
mountains to the Yosemite scenes. Photography was just then taking its
place in American life. Mr. Weed’s first Yosemite subject was this Upper
Hotel of Beardsley and Hite. Hutchings and Weed decided on this occasion
that they must visit the fall now called Illilouette, and Hutchings
wrote:
The reader would have laughed could he have seen us ready for the
start. Mr. Beardsley, who had volunteered to carry the camera, had it
inverted and strapped at his back, when it looked more like an Italian
“hurdy gurdy” than a photographic instrument, and he like the
“grinder.” Another carried the stereoscopic instrument and the lunch;
another, the plate-holders and gun, etcetera; and as the bushes had
previously somewhat damaged our broadcloth unmentionables, we
presented a very queer and picturesque appearance truly.
Public-domain text, read in full here on John Shaqi.
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