One in a Thousand; or, The Days of Henri QuatreJames, G. P. R. (George Payne Rainsford)
History
One in a Thousand; or, The Days of Henri Quatre
James, G. P. R. (George Payne Rainsford)
France -- History -- Henry IV, 1589-1610 -- Fiction
"Well, well, take it away," replied the boy; and, remaining seated on
the spot where he had placed himself to sing, he leaned with his elbow
on the arm of the chair, and his head upon his hand, and the dark
shining locks of his black hair falling in linked curls over his clear
beautiful brow and small graceful fingers. He seemed to be thinking
over the song he was about to sing. At least, so St. Real read his
attitude. But the tone in which the youth had spoken to the dwarf, and
that in which the dwarf replied, had struck and surprised their common
master, and he was about to disturb the page's reverie, by making some
inquiries in regard to his previous history, when Bartholo again
returned with the lute. The boy took it, and running his fingers
through the strings, scarcely seeming to know what note he struck,
produced, nevertheless, a wild plaintive wandering melody, which
nothing but the most exquisite skill and knowledge of the instrument
could have brought forth.
"There are few songs," he said, looking up in St. Real's face, "that
are good to soothe sorrow; but I will sing you one of the battle-songs
of my own unhappy land, in which liberty begat anarchy, and anarchy
strife, and strife weakness, till foreign tyrants made a prey of
nations who knew not that military and political power are the
children of internal union and civil order--a land which, from sea to
sea, has been one vast battle-field for ages past."
He paused, and seemed to give a moment of sad thought to the sorrows
of his native country; then suddenly dashing his hand over the chords,
he made them ring with a loud and peculiar air, so marked and measured
that one could almost fancy one heard the regular footfalls of
marching men, mingled with the sounding of the trumpet, and the
beating of the drum. Then joining his clear melodious voice, he sung
of the dreams of glory and of patriotism wherewith the soldier on his
way warms his heart to battle, and conceals from his own eyes the dark
and bloody nature of the deed itself. Then again the chords of the
instrument, with a quicker movement, and more discordant sounds,
imitated the clang and clash of charging hosts; and the deep and
frequent tones of the bass might be supposed to express the roar of
the artillery, while still between came the notes of the clarion, and
sounds that resembled the distant beating of the drum. At the same
time the voice of the youth, in few but striking words, and, as it
were, with brief snatches of song, called up the images more forcibly,
and aided imagination in supplying all that the scope of the lute
could not afford. Gradually, however, as he sung, the louder sounds
were omitted; the imitation of the trumpet changed from the notes of
the charge to those of the retreat; the strings seemed to rustle under
his touch, as if from the hasty rush of flying multitudes; and then,
with a sudden change of time, the music altered to a sweet and
Public-domain text, read in full here on John Shaqi.
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