Richard Croker, late of New York, lives on a beautiful farm of five hundred acres overlooking the Irish Channel, about nine miles south of Dublin, about two miles from the coast and four miles north of the ancient town of Bray, which has been celebrated so many times in song and story. It is an ideal country seat. He has shown the highest degree of taste in selecting the site and improving the property. He calls it Glencairn, and the name is chiseled upon the massive pillars that support a pair of iron gates. These gates are usually open, for he retains his democratic habits and is an excellent exemplar of Irish hospitality. Following a short drive between masses of rhododendrons, laburnums, and hawthorn trees, with friezes and wainscotings of glowing flower beds, one soon reaches a handsome and well-proportioned miniature castle of white granite of pleasing architectural design. And from a flagpole that rises at the top of the tower Mr. Croker sometimes unfolds the Stars and Stripes. Several people told me that there is no finer place for its size, and Mr. Croker's home is estimated among the first dozen of country seats in Ireland. It was a rough tract of land when he bought it from one of the judges of the Irish courts, and had been neglected for many years. At a large expense and a great amount of labor he has turned it into a little paradise. What was formerly a wild waste is now one of the loveliest landscapes you can imagine. The house is surrounded by a lustrous lawn and a garden of flowers and foliage plants, and behind it is a series of large hothouses in which he is raising orchids and early fruits and vegetables. About one hundred acres are in wheat, oats, potatoes, and other crops, about ten acres in garden, and the remainder of the five hundred acres is meadow and pasture. The interior of the mansion is handsomely furnished according to the conventional requirements of a wealthy country gentleman, and the walls are hung with paintings representing racing incidents and famous race horses of the present and the past. At one end of the portico at the main entrance is a large screen of white canvas covered with cryptograms of Egypt, cartouches of the Pharaohs and other designs which Mr. Croker brought back with him from his visit to the Nile last winter. And in the main hall are several other Egyptian souvenirs.