Myrtle Lodge remains very much as it was when Raleigh lived there. Few historical houses have been altered so little or have been preserved with greater care. Sir Walter's study is hung with an original painting of the first governor of Virginia and a contemporary engraving of "Elizabeth, Queen of Virginia." The long table at which he wrote, an oak chest in which he kept his papers, a little Italian cabinet filled with old deeds and parchments, some bearing his seal; two bookcases of vellum-bound volumes of the fifteenth and sixteenth centuries; and all of the furniture dates from his time. We are assured that there is nothing in the room that was not in the house at the time he occupied it. The dining-room is one of the choicest examples of fifteenth century domestic architecture that can be found, having a deep projecting bay window and porch, an orieled closet, a wide, arched fireplace, and walls wainscoted with rich, ripe Irish oak. The drawing-room has a carved oaken mantelpiece which rises to the ceiling. The cornice rests upon three figures representing Faith, Hope, and Charity. In the adjoining bedroom is another mantelpiece of oak, and the fireplace is lined with old Dutch tiles. Behind the wainscoting of this room, while repairs were being made fifty years ago, an ancient monkish library was found, which, it was thought, was hidden there to escape the Covenanters at the time of the Reformation. A gentleman on our train to Youghal made the interesting statement that Sir Walter Raleigh was the first patron of Protestant foreign missions. He contributed £100 to start the Society for the Propagation of the Gospel in Foreign Lands. I had never heard of this fact before, but my informant said that it came out at the three hundredth anniversary of the organization of that society which was celebrated in London in 1906. Until the Congested Districts Board undertook the work, lacemaking was practically confined to the convents. There are two classes of true Irish lace--needle-point, which is made by the needle, and the bobbin lace--the threads of which are twisted around small bobbins of bone, wood, or ivory. Both of these laces are made entirely by hand, which is not true of the Limerick and Carrickmacross laces. Needle-point lace was first introduced into Ireland by the sisters of the Presentation Convent of Youghal, as a means of helping the famine-stricken inhabitants to earn money in the terrible years of 1847-50. It was imitated from Italian models, but has since been much developed and enriched both in design and execution so that it may be considered original. Irish point lace has its individuality as strong as Brussels point.