Imagine a university and a campus of forty-seven acres of lawn and grove
where Trinity Church stands in New York or where the post office stands
in Chicago or St. Louis. In Washington we have something like it in the
mall where the National Museum, the Smithsonian Institution, and the
Agricultural Department are. Trinity College, Dublin, has an equally
expansive setting of green grass and grove and flowering shrubs, cricket
grounds, and tennis courts, surrounded on all sides by business houses,
clubs, and hotels. It is like an island of verdure in the midst of an
ocean of trade and commerce. On one side of the campus the outside world
is kept at bay by a continuous line of dormitories and lecture-rooms
which overlook a busy street from the windows of one wall and a peaceful
lawn from the windows of the other. On the south side the barrier is a
high iron picket fence hidden in a wonderful hedge of hawthorn and
laburnum bushes. On the other side of that hedge are shops, and a
street-car line that leads to the more attractive part of the city.
There are only two entrances to the college green, one at the east end
and the other at the west, and it is nearly a half mile walk from one to
the other across the green and among the buildings. The main entrance
and the main buildings face the Bank of Ireland and look upon Dame
Street, which is the Wall Street of Dublin. There is a little green
crescent to divide the entrance from the street, with bronze figures of
Edmund Burke and Oliver Goldsmith, two of the most distinguished of the
alumni.
The main building is a fine example of architecture, and the house of
the provost, which adjoins it, is a gem of the Elizabethan type. The
other buildings are unpretentious. They are rather low and long and
plain, in excellent proportions, but without particular individuality,
although the engineering building, which stands out on the campus, is an
exquisite example of modern architecture, and Ruskin pronounced it the
most beautiful modern structure in the United Kingdom.
Public-domain text, read in full here on John Shaqi.
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