One of Cleopatra's Nights and Other Fantastic RomancesGautier, Théophile
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One of Cleopatra's Nights and Other Fantastic Romances
Gautier, Théophile
French fiction -- Translations into English; Short stories
"I am the Marchioness de T----. A short time after I was married the
marquis had this tapestry made for my apartments, and had me represented
on it in the character of Omphale. He himself figures there as Hercules.
That was a queer notion he took, for God knows there never was anybody
in the world who bore less resemblance to Hercules than the poor
marquis! It has been a long time since this chamber was occupied. I
naturally love company, and I almost died of _ennui_ in consequence. It
gave me the headache. To be only with one's husband is the same thing as
being alone. When you came I was overjoyed. This dead room became
reanimated. I had found some one to feel interested in. I watched you
come in and go out, I heard you murmuring in your sleep, I watched you
reading, and my eyes followed the pages. I found you were nicely
behaved, and had a fresh, innocent way about you that pleased me. In
short, I fell in love with you. I tried to make you understand. I
sighed. You thought it was only the sighing of the wind. I made signs to
you. I looked at you with languishing eyes, and only succeeded in
frightening you terribly. So at last in despair I resolved upon this
rather improper course which I have taken, to tell you frankly what you
could not take a hint about. Now that you know I love you, I hope
that--"
The conversation was interrupted at this juncture by the grating of a
key in the lock of the chamber door.
Omphale started and blushed to the very whites of her eyes.
"Adieu," she whispered, "till to-morrow." And she returned to her place
on the wall, walking backward, for fear that I should see her reverse
side, doubtless.
It was Baptiste, who came to brush my clothes.
"You ought not to sleep with your bed-curtains open, sir," he remarked.
"You might catch a bad cold. This room is so chilly."
The curtains were actually open, and as I had been under the impression
that I was only dreaming, I felt very much astonished, for I was certain
that they had been closed when I went to bed.
As soon as Baptiste left the room, I ran to the tapestry. I felt it all
over. It was indeed a real woollen tapestry, rough to the touch like any
other tapestry. Omphale resembled the charming phantom of the night only
as a dead body resembles a living one. I lifted the hangings. The wall
was solid throughout. There were no masked panels or secret doors. I
only noticed that a few threads were broken in the groundwork of the
tapestry where the feet of Omphale rested. This afforded me food for
reflection.
All that day I remained buried in the deepest brown study imaginable. I
longed for evening with a mingled feeling of anxiety and impatience. I
retired early, resolved on learning how this mystery was going to end.
I got into bed. The marchioness did not keep me waiting long. She leaped
down from the tapestry in front of the pier-glass, and dropped right by
my bed. She seated herself by my pillow, and the conversation commenced.
Public-domain text, read in full here on John Shaqi.
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