One of Cleopatra's Nights and Other Fantastic RomancesGautier, Théophile
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One of Cleopatra's Nights and Other Fantastic Romances
Gautier, Théophile
French fiction -- Translations into English; Short stories
Men were gathering in groups in the Agora, upon the steps of the temples
and along the porticoes. At every street corner one might have
encountered women leading by the hand little children, whose uneven walk
ill suited the maternal anxiety and impatience. Maidens were hastening
to the fountains, all with urns gracefully balanced upon their heads, or
sustained by their white arms as with natural handles, so as to procure
early the necessary water provision for the household, and thus obtain
leisure at the hour when the nuptial procession should pass. Washerwomen
hastily folded the still damp tunics and chlamidæ, and piled them upon
mule-wagons. Slaves turned the mill without any need of the overseer's
whip to tickle their naked and scar-seamed shoulders. Sardes was
hurrying itself to finish with those necessary every-day cares which no
festival can wholly disregard.
The road along which the procession was to pass had been strewn with
fine yellow sand. Brazen tripods, disposed along the way at regular
intervals, sent up to heaven the odorous smoke of cinnamon and
spikenard. These vapors, moreover, alone clouded the purity of the azure
above. The clouds of a hymeneal day ought, indeed, to be formed only by
the burning of perfumes. Myrtle and rose-laurel branches were strewn
upon the ground, and from the walls of the palaces were suspended by
little rings of bronze rich tapestries, whereon the needles of
industrious captives--intermingling wool, silver, and gold--had
represented various scenes in the history of the gods and heroes: Ixion
embracing the cloud; Diana surprised in the bath by Actæon; the
shepherd Paris as judge in the contest of beauty held upon Mount Ida
between Hera, the snowy-armed, Athena of the sea-green eyes, and
Aphrodite, girded with her magic cestus; the old men of Troy rising to
honor Helena as she passed through the Skaian gate, a subject taken from
one of the poems of the blind man of Meles. Others exhibited in
preference scenes taken from the life of Heracles the Theban, through
flattery to Candaules, himself a Heracleid, being descended from the
hero through Alcæus. Others contented themselves by decorating the
entrances of their dwellings with garlands and wreaths in token of
rejoicing.
Among the multitudes marshalled along the way from the royal house even
as far as the gates of the city, through which the young queen would
pass on her arrival, conversation naturally turned upon the beauty of
the bride, whereof the renown had spread throughout all Asia; and upon
the character of the bridegroom, who, although not altogether an
eccentric, seemed nevertheless one not readily appreciated from the
common standpoint of observation.
Public-domain text, read in full here on John Shaqi.
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