A painting by Bularchus, which Candaules had purchased for its weight in gold, executed upon the wood of the female larch-tree, and representing the defeat of the Magnesians, evoked universal admiration by the beauty of its design, the truthfulness of the attitude of its figures, and the harmony of its coloring, although the artist had only employed in its production the four primitive colors: Attic ochre, white, Pontic _sinopis,_ and _atramentum_. The young king loved painting and sculpture even more, perhaps, than well became a monarch, and he had not unfrequently bought a picture at a price equal to the annual revenue of a whole city. Camels and dromedaries, splendidly caparisoned, with musicians seated on their necks performing upon drums and cymbals, carried the gilded stakes, the cords, and the material of the tent designed for the use of the queen during voyages and hunting parties. These spectacles of magnificence would upon any other occasion have ravished the people of Sardes with delight, but their curiosity had been enlisted in another direction, and it was not without a certain feeling of impatience that they watched this portion of the procession file by. The young maidens and the handsome boys, bearing flaming torches, and strewing handfuls of crocus flowers along the way, hardly attracted any attention. The idea of beholding Nyssia had preoccupied all minds. At last Candaules appeared, riding in a chariot drawn by four horses, as beautiful and spirited as those of the sun, all rolling their golden bits in foam, shaking their purple-decked manes, and restrained with great difficulty by the driver, who stood erect at the side of Candaules, and was leaning back to gain more power on the reins.