One of Cleopatra's Nights and Other Fantastic RomancesGautier, Théophile
Science
One of Cleopatra's Nights and Other Fantastic Romances
Gautier, Théophile
French fiction -- Translations into English; Short stories
The old gnome foraged among his ancient wares, and finally arranged
before me some antique bronzes, so-called at least; fragments of
malachite, little Hindoo or Chinese idols, a kind of poussah-toys in
jade-stone, representing the incarnations of Brahma or Vishnoo, and
wonderfully appropriate to the very undivine office of holding papers
and letters in place.
I was hesitating between a porcelain dragon, all constellated with
warts, its mouth formidable with bristling tusks and ranges of teeth,
and an abominable little Mexican fetich, representing the god
Vitziliputzili _au naturel_, when I caught sight of a charming foot,
which I at first took for a fragment of some antique Venus.
It had those beautiful ruddy and tawny tints that lend to Florentine
bronze that warm living look so much preferable to the gray-green
aspect of common bronzes, which might easily be mistaken for statues in
a state of putrefaction. Satiny gleams played over its rounded forms,
doubtless polished by the amorous kisses of twenty centuries, for it
seemed a Corinthian bronze, a work of the best era of art, perhaps
moulded by Lysippus himself.
"That foot will be my choice," I said to the merchant, who regarded me
with an ironical and saturnine air, and held out the object desired that
I might examine it more fully.
I was surprised at its lightness. It was not a foot of metal, but in
sooth a foot of flesh, an embalmed foot, a mummy's foot. On examining it
still more closely the very grain of the skin, and the almost
imperceptible lines impressed upon it by the texture of the bandages,
became perceptible. The toes were slender and delicate, and terminated
by perfectly formed nails, pure and transparent as agates. The great
toe, slightly separated from the rest, afforded a happy contrast, in the
antique style, to the position of the other toes, and lent it an ærial
lightness--the grace of a bird's foot. The sole, scarcely streaked by a
few almost imperceptible cross lines, afforded evidence that it had
never touched the bare ground, and had only come in contact with the
finest matting of Nile rushes and the softest carpets of panther skin.
"Ha, ha, you want the foot of the Princess Hermonthis!" exclaimed the
merchant, with a strange giggle, fixing his owlish eyes upon me. "Ha,
ha, ha! For a paper-weight! An original idea!--artistic idea! Old
Pharaoh would certainly have been surprised had some one told him that
the foot of his adored daughter would be used for a paper-weight after
he had had a mountain of granite hollowed out as a receptacle for the
triple coffin, painted and gilded, covered with hieroglyphics and
beautiful paintings of the Judgment of Souls," continued the queer
little merchant, half audibly, as though talking to himself.
"How much will you charge me for this mummy fragment?"
Public-domain text, read in full here on John Shaqi.
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