One of Cleopatra's Nights and Other Fantastic RomancesGautier, Théophile
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One of Cleopatra's Nights and Other Fantastic Romances
Gautier, Théophile
French fiction -- Translations into English; Short stories
The bed-curtains opened and I beheld the strangest figure imaginable
before me.
It was a young girl of a very deep coffee-brown complexion, like the
bayadere Amani, and possessing the purest Egyptian type of perfect
beauty. Her eyes were almond-shaped and oblique, with eyebrows so black
that they seemed blue; her nose was exquisitely chiselled, almost Greek
in its delicacy of outline; and she might indeed have been taken for a
Corinthian statue of bronze but for the prominence of her cheek-bones
and the slightly African fulness of her lips, which compelled one to
recognize her as belonging beyond all doubt to the hieroglyphic race
which dwelt upon the banks of the Nile.
Her arms, slender and spindle-shaped like those of very young girls,
were encircled by a peculiar kind of metal bands and bracelets of glass
beads; her hair was all twisted into little cords, and she wore upon her
bosom a little idol-figure of green paste, bearing a whip with seven
lashes, which proved it to be an image of Isis; her brow was adorned
with a shining plate of gold, and a few traces of paint relieved the
coppery tint of her cheeks.
As for her costume, it was very odd indeed.
Fancy a _pagne_, or skirt, all formed of little strips of material
bedizened with red and black hieroglyphics, stiffened with bitumen, and
apparently belonging to a freshly unbandaged mummy.
In one of those sudden flights of thought so common in dreams I heard
the hoarse falsetto of the bric-à-brac dealer, repeating like a
monotonous refrain the phrase he had uttered in his shop with so
enigmatical an intonation:
"Old Pharaoh will not be well pleased. He loved his daughter, the dear
man!"
One strange circumstance, which was not at all calculated to restore my
equanimity, was that the apparition had but one foot; the other was
broken off at the ankle!
She approached the table where the foot was starting and fidgetting
about more than ever, and there supported herself upon the edge of the
desk. I saw her eyes fill with pearly gleaming tears.
Although she had not as yet spoken, I fully comprehended the thoughts
which agitated her. She looked at her foot--for it was indeed her
own--with an exquisitely graceful expression of coquettish sadness, but
the foot leaped and ran hither and thither, as though impelled on steel
springs.
Twice or thrice she extended her hand to seize it, but could not
succeed.
Then commenced between the Princess Hermonthis and her foot--which
appeared to be endowed with a special life of its own--a very fantastic
dialogue in a most ancient Coptic tongue, such as might have been spoken
thirty centuries ago in the syrinxes of the land of Ser. Luckily I
understood Coptic perfectly well that night.
The Princess Hermonthis cried, in a voice sweet and vibrant as the tones
of a crystal bell:
Public-domain text, read in full here on John Shaqi.
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