One of Cleopatra's Nights and Other Fantastic RomancesGautier, Théophile
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One of Cleopatra's Nights and Other Fantastic Romances
Gautier, Théophile
French fiction -- Translations into English; Short stories
She gave me her hand, which felt soft and cold, like the skin of a
serpent, and we departed.
We passed for some time with the velocity of an arrow through a fluid
and grayish expanse, in which half-formed silhouettes flitted swiftly by
us, to right and left.
For an instant we saw only sky and sea.
A few moments later obelisks commenced to tower in the distance; pylons
and vast flights of steps guarded by sphinxes became clearly outlined
against the horizon.
We had reached our destination.
The princess conducted me to a mountain of rose-colored granite, in the
face of which appeared an opening so narrow and low that it would have
been difficult to distinguish it from the fissures in the rock, had not
its location been marked by two stelæ wrought with sculptures.
Hermonthis kindled a torch and led the way before me.
We traversed corridors hewn through the living rock. Their walls,
covered with hieroglyphics and paintings of allegorical processions,
might well have occupied thousands of arms for thousands of years in
their formation. These corridors of interminable length opened into
square chambers, in the midst of which pits had been contrived, through
which we descended by cramp-irons or spiral stairways. These pits again
conducted us into other chambers, opening into other corridors, likewise
decorated with painted sparrow-hawks, serpents coiled in circles, the
symbols of the _tau_ and _pedum_--prodigious works of art which no
living eye can ever examine--interminable legends of granite which only
the dead have time to read through all eternity.
At last we found ourselves in a hall so vast, so enormous, so
immeasurable, that the eye could not reach its limits. Files of
monstrous columns stretched far out of sight on every side, between
which twinkled livid stars of yellowish flame; points of light which
revealed further depths incalculable in the darkness beyond.
The Princess Hermonthis still held my hand, and graciously saluted the
mummies of her acquaintance.
My eyes became accustomed to the dim twilight, and objects became
discernible.
I beheld the kings of the subterranean races seated upon thrones--grand
old men, though dry, withered, wrinkled like parchment, and blackened
with naphtha and bitumen--all wearing _pshents_ of gold, and
breast-plates and gorgets glittering with precious stones, their eyes
immovably fixed like the eyes of spinxes, and their long beards whitened
by the snow of centuries. Behind them stood their peoples, in the stiff
and constrained posture enjoined by Egyptian art, all eternally
preserving the attitude prescribed by the hieratic code. Behind these
nations, the cats, ibixes, and crocodiles contemporary with
them--rendered monstrous of aspect by their swathing bands--mewed,
flapped their wings, or extended their jaws in a saurian giggle.
Public-domain text, read in full here on John Shaqi.
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