One of Cleopatra's Nights and Other Fantastic RomancesGautier, Théophile
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One of Cleopatra's Nights and Other Fantastic Romances
Gautier, Théophile
French fiction -- Translations into English; Short stories
This poor ruin, dating only from yesterday, although wearing the
dilapidated look of a thousand years' decay--a ruin of plaster, not of
stone, all cracked and warped, covered with a leprosy of lichen growth,
moss-eaten and mouldy--seemed to resemble one of those precociously old
men worn out by filthy debauches. It inspired no feeling of respect, for
there is nothing in the world so ugly and so wretched as either an old
gauze robe or an old plaster wall, two things which ought not to endure,
yet which do.
It was in this pavilion that my uncle had lodged me.
The interior was not less rococo than the exterior, although remaining
in a somewhat better state of preservation. The bed was hung with yellow
lampas, spotted over with large white flowers. An ornamental shell-work
clock ticked away upon a pedestal inlaid with ivory and mother-of-pearl.
A wreath of ornamental roses coquettishly twined around a Venetian
glass. Above the door the Four Seasons were painted in cameo. A fair
lady with thickly powdered hair, a sky-blue corset, and an array of
ribbons of the same hue, who had a bow in her right hand, a partridge in
her left, a crescent upon her forehead, and a leverette at her feet,
strutted and smiled with ineffable graciousness from within a large oval
frame. This was one of my uncle's mistresses of old, whom he had had
painted as Diana. It will scarcely be necessary to observe that the
furniture itself was not of the most modern style. There was, in fact,
nothing to prevent one from fancying himself living at the time of the
Regency, and the mythological tapestry with which the Avails were hung
rendered the illusion complete.
The tapestry represented Hercules spinning at the feet of Omphale. The
design was tormented after the fashion of Vanloo, and in the most
Pompadour style possible to imagine. Hercules had a spindle decorated
with rose-colored favors. He elevated his little finger with a peculiar
and special grace, like a marquis in the act of taking a pinch of
snuff, while turning a white flake of flax between his thumb and index
finger. His muscular neck was burdened with bows of ribbons, rosettes,
strings of pearls, and a thousand other feminine gew-gaws, and a large
_gorge-de-pigeon_ colored petticoat, with two very large panniers, lent
quite a gallant air to the monster-conquering hero.
Public-domain text, read in full here on John Shaqi.
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