One of Clive's Heroes: A Story of the Fight for IndiaStrang, Herbert
History
One of Clive's Heroes: A Story of the Fight for India
Strang, Herbert
Adventure stories; British -- India -- Juvenile fiction; India -- History -- 18th century -- Juvenile fiction
He turned and beckoned. In a moment Desmond heard the clank of chains,
and by and by, at the entrance of the shed, stood a figure at sight of
whom his blood ran cold. It was the bent, lean, broken figure of a
Hindu, his thin bare legs weighted with heavy irons. Ears, nose, upper
lip were gone; his eyes were lit with the glare of madness; the parched
skin of his hollow cheeks was drawn back, disclosing a grinning mouth
and yellow teeth. His arms and legs were like sticks; both hands had
lost their thumbs; his feet were twisted; straggling wisps of grey hair
escaped from his turban. Standing there beside Diggle, he began to mop
and mow, uttering incomprehensible gibberish.
Diggle waved him away.
"That, my dear boy, illustrates the darker side of Angria’s
character--the side which forbids me to call Angria unreservedly my
friend. A year ago that man was as straight as you; he had all his
organs and dimensions; he was rich, and of importance in his little
world. To-day--but you have seen him: it boots not to attempt in words
to say what the living image has already said. And within twenty-four
hours, unless you come to a better mind, even as that man is, so will
you be."
He rose slowly to his feet, bending upon Desmond a look of mournful
interest and compassion. Desmond had stood all but transfixed with
horror. But as Diggle now prepared to leave him, the boy flushed hot;
his fists clenched; his eyes flashed with indignation.
"You fiend!" was all he said.
Diggle smiled, and sauntered carelessly away.
That night, when the prisoners were brought as usual to the shed, and
warder and sentries were out of earshot, Desmond told them what he had
seen.
"It must be to-night, my brothers," he said in conclusion. "We have no
longer time. Before sunrise to-morrow we must be out of this evil
place. We must work, work, for life and liberty."
This night again the singer sang untiringly, the tom-tom accompanying
him with its weird hollow notes. And in the blackness, Desmond worked
as he had never worked before, plying his saw hour after hour, never
forgetting his caution, running no risks when he had warning of the
sentry’s approach. And hour after hour the shower of sawdust fell
noiselessly into the Babu’s outspread dhoti. Then suddenly the beating
of the tom-tom ceased, the singer’s voice died away on a lingering wail,
and the silence of the night was unbroken save by the melancholy howl of
a distant jackal, and the call of sentry to sentry as at intervals they
went their rounds.
At midnight the guard was relieved. The new-comer--a tall, thin, lanky
Maratha--arriving at Desmond’s shed, put his head in at the little
window-space, and flashed his lantern from left to right more carefully
than the man whom he had just replaced. The nine forms lay flat or
curled up on their charpoys--all was well.
Public-domain text, read in full here on John Shaqi.
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