One of Clive's Heroes: A Story of the Fight for IndiaStrang, Herbert
History
One of Clive's Heroes: A Story of the Fight for India
Strang, Herbert
Adventure stories; British -- India -- Juvenile fiction; India -- History -- 18th century -- Juvenile fiction
He took a kedgeree pot, an earthen vessel used for cooking, and firmly
tied to it a stout bamboo some six feet long, so that the thicker end of
the pole was even with the mouth of the vessel. The boat was slightly
down the stream. The man ran a little way up stream to a point where a
spit of land jutted out into the river, his companions following quickly
with the pot. This they placed mouth downwards in the water. Then the
sepoy mounted on top, launched himself on this novel buoy, and, holding
on to the pole, floated breast high in the water down with the current,
dexterously steering himself with his legs to the point where the boat
was moored. He clambered into it, and with rapid movements of the stern
oar brought it to the other side, receiving with beaming face the
promised reward.
While this was going on the sky had been darkening. A north-wester was
coming up, and after his experience on the eve of Plassey, Desmond knew
what that meant. He hastily embarked his men, and the boat started; but
it had scarcely covered a third of the distance across the river when
the wind struck it. Fortunately the sail was not up: as it was, the
flat-bottomed boat was nearly swamped. Drenching rain began to fall.
The river was lashed to fury: for three crowded minutes it seemed to
Desmond a miracle that the boat was still afloat. The waves dashed over
its sides; the men, blinded by the rain, were too much cowed to attempt
to bale out. Desmond was at the helm; Bulger and Toley had an oar each;
although only a few yards distant, Desmond could scarcely see them
through the pelting rain. Then the wind moderated somewhat: he
peremptorily ordered the men to use their brass lotis[#] to bale out the
boat, and determined to turn the storm to account.
[#] Drinking vessels.
Public-domain text, read in full here on John Shaqi.
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