Farm life -- Fiction; Nebraska -- Fiction; Soldiers -- Fiction; War stories; World War, 1914-1918 -- Fiction
"Well, is it good-bye?" she murmured. She passed her hands over
his shoulders, down his strong back and the close-fitting sides
of his coat, as if she were taking the mould and measure of his
mortal frame. Her chin came just to his breast pocket, and she
rubbed it against the heavy cloth. Claude stood looking down at
her without speaking a word. Suddenly his arms tightened and he
almost crushed her.
"Mother!" he whispered as he kissed her. He ran downstairs and
out of the house without looking back.
She struggled up from the chair where she had sunk and crept to
the window; he was vaulting down the hill as fast as he could go.
He jumped into the car beside his father. Ralph was already at
the wheel, and Claude had scarcely touched the cushions when they
were off. They ran down the creek and over the bridge, then up
the long hill on the other side. As they neared the crest of the
hill, Claude stood up in the car and looked back at the house,
waving his cone-shaped hat. She leaned out and strained her
sight, but her tears blurred everything. The brown, upright
figure seemed to float out of the car and across the fields, and
before he was actually gone, she lost him. She fell back against
the windowsill, clutching her temples with both hands, and broke
into choking, passionate speech. "Old eyes," she cried, "why do
you betray me? Why do you cheat me of my last sight of my
splendid son!"
Book Four: The Voyage of the Anchises
I
A long train of crowded cars, the passengers all of the same sex,
almost of the same age, all dressed and hatted alike, was slowly
steaming through the green sea-meadows late on a summer
afternoon. In the cars, incessant stretching of cramped legs,
shifting of shoulders, striking of matches, passing of
cigarettes, groans of boredom; occasionally concerted laughter
about nothing. Suddenly the train stops short. Clipped heads and
tanned faces pop out at every window. The boys begin to moan and
shout; what is the matter now?
The conductor goes through the cars, saying something about a
freight wreck on ahead; he has orders to wait here for half an
hour. Nobody pays any attention to him. A murmur of astonishment
rises from one side of the train. The boys crowd over to the
south windows. At last there is something to look at,--though
what they see is so strangely quiet that their own exclamations
are not very loud.
Public-domain text, read in full here on John Shaqi.
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