The entrance to the nave was closed by a cord, so he walked up the aisle on the right, treading softly, passing chapels where solitary women knelt in the light of a few tapers. Except for them, the church was empty... empty. His own breathing was audible in this silence. He moved with caution lest he should wake an echo. When he reached the choir he turned, and saw, far behind him, the rose window, with its purple heart. As he stood staring, hat in hand, as still as the stone figures in the chapels, a great bell, up aloft, began to strike the hour in its deep, melodious throat; eleven beats, measured and far apart, as rich as the colours in the window, then silence... only in his memory the throbbing of an undreamed-of quality of sound. The revelations of the glass and the bell had come almost simultaneously, as if one produced the other; and both were superlatives toward which his mind had always been groping,--or so it seemed to him then. In front of the choir the nave was open, with no rope to shut it off. Several straw chairs were huddled on a flag of the stone floor. After some hesitation he took one, turned it round, and sat down facing the window. If some one should come up to him and say anything, anything at all, he would rise and say, "Pardon, Monsieur; je ne sais pas c'est defendu." He repeated this to himself to be quite sure he had it ready. On the train, coming down, he had talked to the boys about the bad reputation Americans had acquired for slouching all over the place and butting in on things, and had urged them to tread lightly, "But Lieutenant," the kid from Pleasantville had piped up, "isn't this whole Expedition a butt-in? After all, it ain't our war." Claude laughed, but he told him he meant to make an example of the fellow who went to rough-housing. He was well satisfied that he hadn't his restless companions on his mind now. He could sit here quietly until noon, and hear the bell strike again. In the meantime, he must try to think: This was, of course, Gothic architecture; he had read more or less about that, and ought to be able to remember something. Gothic... that was a mere word; to him it suggested something very peaked and pointed,--sharp arches, steep roofs. It had nothing to do with these slim white columns that rose so straight and far,--or with the window, burning up there in its vault of gloom....