One Woman: Being the Second Part of a Romance of SussexOllivant, Alfred
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One Woman: Being the Second Part of a Romance of Sussex
Ollivant, Alfred
Sussex (England) -- Fiction
"I mean," answered Alf, "as I keep her out of prison by keepin me mouth
shut." He dropped his voice. "And that ain't all. She's at it again
... Her home's a knockin-shop.... All the young men.... The police
ought to interfere.... I shall tell the Archdeacon.... A kept
woman.... That chap Burt.... That's how Ern makes good.... She makes
the money he spends at the _Star_.... And your grand-children brought
up in that atmosphere!" He struck the table. "But I'm her landlord
all the same; and I'll make her know it yet."
Anne Caspar was genuinely disturbed not for the sake of Ruth, but for
that of the children.
"You could never turn her out!" she said--"not your own sister-in-law
and four children! Look so bad and all--and you a sidesman too."
Alf snorted.
"Ah, couldn't I?" he said. "You never know what a man can do till he
tries."
That evening the Colonel and Mrs. Lewknor walked over to the
Manor-house to discuss Ern's latest misadventure. They found Mr.
Pigott there clearly on the same errand; but the old Nonconformist rose
to go with faintly exaggerated dignity on seeing his would-be enemy.
"There's only one thing'll save him now," he announced in his most
dogmatic style.
"What's that?" asked Mrs. Trupp.
"H'a h'earthquake," the other answered.
When the Colonel and his wife left the Manor-house half-an-hour later
there were three people walking abreast down the hill before them, just
as there had been on a previous occasion. Now, as then, the centre of
the three was Ruth. Now, as then, on her left was Joe. But on her
right instead of Ern was little Alice.
The Colonel pointed to the three.
"I'll back Caspar all the way," said Mrs. Lewknor firmly.
"Myself," replied the Colonel shrewdly, "I'll back the winner."
Then he paused to read a placard which gave the latest news of the
Ulster campaign.
PART II
TROUBLED DAWN
CHAPTER XXII
THE BETRAYAL
The Ulster Campaign was moving forward now with something of the shabby
and theatrical pomp of a travelling circus parading the outskirts of a
sea-side town before a performance. A dromedary with an elongated
upper lip, draped in the dirty trappings of a pseudo-Oriental satrap,
led the procession, savage and sulking. Behind the dromedary came the
mouldy elephant, the mangy bear, the fat woman exposing herself in
tights on a gilt-edged Roman chariot, the sham cow-boys with gaudy
cummerbunds, and Cockney accents, on untamed bronchos hired from the
local livery stables, the horse that was alleged to have won the Derby
in a by-gone century, etc. And the spectators gaped on the pavement,
uncertain whether to jeer or to applaud.
Public-domain text, read in full here on John Shaqi.
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