So the winter wore away somehow,--the period that Milly remembered as,
on the whole, the dullest part of her married life. Her first season in
Paris! They might read a little in one of the culture books in their
room after dinner, then would take refuge from the damp chill in bed.
Jack was less gay here in Paris than he had ever been in Chicago,
preoccupied with his work, frequently gloomy, as if he foresaw the
failure of his ambitions. Milly felt that he was ungrateful for his
fate. Hadn't he the dearest wish of his heart--and her, too?...
Something was wrong, she never knew quite what. The trouble was that she
had no job whatever now, and no social distraction to take the place of
work. She was the victim of ideas that were utterly beyond her
knowledge, ideas that must impersonally carry the Milly Ridges along in
their momentum, to their ultimate destruction.
"I ought to be very happy," she said to herself piously. "We both ought
to be."
But they weren't.
V
WOMEN'S TALK
One day something dreadful happened. Milly realized that she was to have
a child. A strange kind of terror seized her at the conviction. _This_,
she had felt ever since her marriage, was the one impossible thing to
happen: she had promised herself when she married her poor young artist
it should never be. One could be "Bohemian," "artistic"--light and
gay--without money, if there were no children. And now, somehow, the
impossible had happened, in this unfamiliar city, far away from friends
and female counsellors.
She wandered out into the street in a dull despair, and after a time got
on top of an omnibus with a vague idea of going off somewhere, never to
return, and sat there in the drizzle until she reached the end of the
route, which happened to be the Luxembourg. She recognized the place
because she had visited the gallery with her husband and also dined at
Foyot's and gone to the Odéon on one of their expansive occasions. She
walked about aimlessly for a while, feeling that she must get farther
away somehow, then wandered into the garden and sat down near one of the
fountains among the nurses. The sun had come out from the watery sky,
and it was amusing to watch the funny French children and the chattering
nurses in their absurd headdresses. The graceful lines of the old Palais
made an elegant frame for the garden, the fountains, and the trees.
Milly couldn't brood long, but after a time the awful fact would intrude
and pull her up with a start. What should she do? There was no room in
their life for a child, especially just now. She could never tell Jack.
What useless things women were anyway! She didn't wonder that men
treated them badly, as they did sometimes, she had heard.
A familiar small figure came towards her. It was Elsie Reddon, the
two-year-old girl she had played with on the steamer.
Public-domain text, read in full here on John Shaqi.
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