She was depressed going up-town in the crowded, smelly, shrieking train.
The meeting had not been as thrilling as she had anticipated. Hazel
would probably scold her to-morrow for not coming forward and meeting
the leaders. But she felt that the Woman Forward movement had little to
offer her in her perplexities. Hers was part of that economic
maladjustment that the good-looking stranger had talked about, and even
with the suffrage it would take generations to do anything for women
like her.
What really depressed her most was the fact that her unknown
acquaintance had not considered it worth while to find out her name and
pave the way for further relations. She realized cynically that for the
present at any rate the woman question came down to just this: men could
do many pleasant and useful things for women when they were so inclined.
And a woman failed when she could not interest a man sufficiently to
move him to make the advance. Of course Milly knew that the "modern
woman" would fiercely desire to be independent of all such male
patronage. But as Milly climbed wearily the long flight of stairs to her
apartment, feeling tired and forlorn and very much alone in the world,
she knew that in the bottom of her heart she had no wish to be "modern."
And she was even sceptical as to how sincerely the other women, like
Hazel Fredericks, desired that "complete independence of the male" they
chattered so much about.
* * * * *
When Milly turned on the electric light in the little apartment, it was
forebodingly still. She glanced at once into the room where Virginia
slept and found it empty, with the bedclothes tumbled in a heap. She
rushed to the maid's room. That too was empty and the rear door was
locked on the outside. For a moment Milly's heart ceased beating, then
with a shriek,--"Virgie, Virgie--where are you!" she ran into the front
hall and plunged, still shrieking, down the stairs.
A door opened on the floor below, and the figure of a large woman in a
rose-pink negligee confronted Milly.
"Lookin' for yer little girl?" the stranger asked in a loud, friendly
voice. "Well, she's all right--just come in here!"
She held open the door and pointed to the front room, where under a
crocheted shawl little Virginia was curled up asleep on the divan. Milly
fell beside her with an hysterical sob. The child, partly awakened, put
out her thin arms and murmured sleepily, "The strange lady's very nice,
but she's queer. Take me home, mama, please."
The "strange lady," who was looking on interestedly, explained,--
"I heard the kid runnin' round up above and cryin'--oh, that was hours
ago when I first com' home--and as she kep it up cryin' as if she were
scared and callin', I went up there and brought her down to stay with me
till you got back.... Guess she woke up and was lonesome all by
herself."
"That brute Hilda," Milly gasped, "must have gone off and left her."
Public-domain text, read in full here on John Shaqi.
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