"And that's the reason I've been givin' yer why girls don't take to any
work seriously and make somethin' of it, same as a man has to. Oh, I've
seen lots of 'em--just lots!"
She waved a hand disgustedly.
Milly was now thoroughly interested in her new acquaintance, and they
went deeper into the complicated woman-question. Ernestine, she
perceived, had learned her lessons in the hard school of the man's world
of give and take, and learned them thoroughly. And she had the rare
ability to learn by experience. This with her good health and an innate
sense of orderliness and thrift, possibly due to the Teutonic strain in
her blood, had sufficed to put her ahead in the race. For she was even
less educated than Milly, and naturally less quick. But having touched
realities all her life, she had achieved an abiding sense of fact that
Milly was now totally incapable of acquiring. Her philosophy was simple,
but it embraced the woman question, suffrage, and the man-made world. To
live, she said, you must give something of yourself that is worth the
while of Somebody Else to take and pay for--pay as high as he can be
made to pay. To Milly it seemed a harsh philosophy. She wished to give
when and what she liked to whom she pleased and take whatever she
wanted. It was the failure of this system to work that had brought about
the present crisis in her affairs.
* * * * *
One o'clock arrived, and Milly, who was genuinely aroused by the
harsh-voiced working-woman, invited Ernestine to stay for the mid-day
meal, which on account of the child was dinner rather than lunch. The
light in Ernestine's black eyes and the pleased, humble tone in which
she exclaimed,--"Oh, may I!" touched Milly.
So the three presently sat down around the small table, which Milly had
served in the front room of the flat rather than in the dark pocket of a
dining-room. That seemed to Ernestine a very brilliant idea, and she was
also much impressed by the daintiness of the table and the little
details of the meal. Milly had a faculty of getting some results even
from such unpromising material as Marion Reddon's sullen Swede. She knew
very well how food should be cooked and served, how gentlefolk were in
the habit of taking their food as a delightful occasion as well as a
chance to appease hunger, and she always insisted upon some sort of
form. So the mid-day meal, which seemed to Milly poor and forlorn
compared with what she had known in her life, was a revelation to
Ernestine of social grace and daintiness. Her keen eyes followed Milly's
every motion, and she noted how each dish, and spoon, and fork was
placed. All this, she realized, was what she had been after and failed
to get. Milly apologized for the simple meal,--"Hilda isn't much of a
cook, and since we've been by ourselves, I have lost interest in doing
things."
"It ain't the food," Ernestine replied oracularly.
Public-domain text, read in full here on John Shaqi.
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