"Now, Sam," she said to him in her persuasive way, "I want you to make
this into the nicest little _patisserie_ you ever saw in Paris. _Vrai
chic_, you know!"
"Some stunt," he replied, looking at the grimy squalor of the abandoned
shop, with its ugly plate-glass windows and forbidding walls. "Don't you
want me to get you a frieze for those bare walls--some Chicago nymphs
taking a bath in the Lake with a company of leading citizens observing
them from the steps of the Art Institute, in the manner of the sainted
Puvis?"
"Don't be silly, Sam!" Milly replied in reproof. "This is business."
And Sam put it through for her. They had a good time over the
transformation of the Chicago shop to something "elegant and
spirituelle," as Sam called it. He entered into the spirit of the thing,
as Milly knew he would, and turned out a creditable imitation of a Paris
shop, with stucco marbles, black woodwork, and glass everywhere, even to
red plush sofas along the walls and a row of little tables and chairs in
front. It had a very gay appearance--"distinguished" in its sombre
setting. "No one could help walking in to buy a cake, could they?" Sam
appealed to Ernestine.
"Hope they'll have the price for more than one," the former Laundryman
observed.
"Oh, you'll do a big business," Sam rejoined encouragingly. "Mostly on
tick, if Milly runs the cash drawer."
"She won't!" Ernestine retorted.
The last touch was the sign,--a long, thin black board on which was
traced in a delicate gilt script,--_The Cake Shop--Madame Millernine_.
The firm name was Sam's personal contribution to the business. "You must
have a suitable name, and who ever heard of a Bragdon or a Geyer keeping
a cake shop? There are proprieties in all these things."
But long before the sign was in place, Milly had sailed away from New
York for Paris. It had been discovered that a good French pastry cook
was not to be found in Chicago. A few were said to exist in America,
chiefly in New York hotels, but their handiwork was not up to Milly's
standard and their demands for wages were exorbitant. Also real _chic_
French _dames des comptoirs_ were exceedingly rare. Jeanne's Grenoble
sister-in-law proved to be, in Reddon's words,--"so infernally homely
that she would scare the customers from the door." So it was agreed that
while Ernestine attended to the numerous details of the preparations in
Chicago, Milly should make a hurried trip abroad consult with her
friend, Madame Catteau, and secure among other things a competent
pastry-cook and a few good-looking girls for waitresses.
Public-domain text, read in full here on John Shaqi.
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