Miss Burnett occupied a very big house in the dullest street in
Bloomsbury--a dismal _cul de sac_, in which there was almost always an
elderly organ-grinder playing “Home, sweet home,” or the “Old
Hundredth,” with a little group of squalid children gathered round him.
The big house smelt like a tomb, and was almost as rarely opened as if
it had been one; for the butcher-boy who brought Miss Burnett’s
mutton-chop, or the half-pound of steak or three-quarters of liver, upon
which Miss Burnett’s servant was wont to make her repast, handed his
wares across the area-gate, and exchanged no word of comment with the
grim damsel who received them, knowing very well that the lady of the
house sat at her favourite window in the front parlour, with her open
Bible before her, and a watchful eye upon the outer world, which some
sentimental Christians might have thought scarcely consistent with so
much piety.
The grim damsel who admitted Roderick Lowther to Miss Burnett’s darksome
abode relaxed her ordinary sternness of visage into something faintly
resembling a smile as she recognized her mistress’s nephew.
“Your aunt has been very ill since you were last here, Mr. Lowther,” the
woman said, in answer to Roderick’s inquiry. “She was very bad with her
asthma all the winter; but the warm spring weather brought her round
again.”
“Yes,” thought the young man, “the spring weather always does bring her
round,--and always will, I suppose, till I am dead and in my grave.”
He was ushered into the dining-room while this irreverent idea was in
his mind; and the next minute he was seated opposite to his aunt,
inquiring tenderly about her asthma. The dining-room was very dismal.
There was more mahogany furniture and brown damask than is compatible
with the smallest ray of cheerfulness, and the walls were rendered
ghastly by some hideous preparations painted in asphaltum, and
exhibiting gigantic cracks that looked like gory, yawning
wounds,--preparations which, on account of their smoky nature and
revolting choice of subject, were supposed to be the work of the old
masters.
Public-domain text, read in full here on John Shaqi.
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