Leycester came along the terrace, and raising his eyes, heavy and
clouded, saw the ladies, but he only raised his hat and passed on.
Then he came to where the figure in white, glimmering with pearls and
diamonds, leaned against the column and he hesitated a moment, but
there was no look of invitation in her eyes, only a faint smile, and he
merely raised his hat again and passed on; but, half unconsciously, he
had taken in the loveliness and grace of the picture that she made, and
that was all that she desired for the present.
With heavy steps he crossed the hall, climbed the stairs, and entered
his own room.
His man Oliver, who had been waiting for him and hanging about, came in
softly, but stole out again at sight of the dusky figure lying wearily
on the chair; but presently Leycester called him and he went back.
"Get a bath ready, Oliver," he said, "and pack a portmanteau; we shall
leave to-night."
"Very good, my lord," was the quiet response, and then he went to
prepare the bath.
Leycester got up and strode to and fro. Though she had never entered
his rooms, the apartments seemed full of her; from the easel stared the
disfigured Venus which he had daubed out on the first night he had seen
her. On the table, in an Etruscan vase of crystal, were some of the
wild flowers which her hand had plucked, her lips had pressed. These he
took--not fiercely but solemnly--and threw out of the window.
Suddenly there floated upon the air the strains of solemn music. He
started. He had almost forgotten Lilian; the great sorrow and misery
had almost driven her from his memory. He sat the vase down upon the
table, and went to her room; she knew his knock, and bade him come in,
still playing.
But as he entered, she stopped suddenly, and the smile which had flown
to her face to welcome him disappeared.
"Ley!" she breathed, looking up at his pale, haggard face and
dark-rimmed eyes; "what has happened? What is the matter?"
He stood beside her, and bent and kissed her; his lips were dry and
burning.
"Ley! Ley!" she murmured, and put her white arm round his neck to draw
him down to her, "what is it?"
Then she scanned him with loving anxiety.
"How tired you look, Ley! Where have you been? Sit down!"
He sank into a low seat at her feet, and motioned to the piano.
"Go on playing," he said.
She started at his hoarse, dry voice, but turned to the piano, and
played softly, and presently she knew, rather than saw, that he had
hidden his face in his hands.
Then she stopped and bent over him.
"Now tell me, Ley!" she murmured.
He looked up with a bitter smile that cut her to the heart.
"It is soon told, Lil," he said, in a low voice, "and it is only an
old, old story!"
"Ley!"
"I can tell you--I could tell only you, Lil--in a very few words. I
have loved--and been deceived."
She did not speak, but she put her hand on his head where it lay like a
peaceful benediction.
Public-domain text, read in full here on John Shaqi.
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