With heavy, contracted brows he listened to a sermon anything but
reassuring. The good old minister inclined to a legal and doctrinal
gospel, and to-day his subject was the perfection and searching
character of the divine law. He showed how God could make no terms with
sin--that he hated it with a terrible and vindictive hatred, because in
all respects it was opposite and antagonistic to His nature--because it
defiled, degraded, and destroyed. He traced all human wretchedness to
this poisonous root, and Gregory trembled and his face grew dark with
despair as he realized how it was inwoven with every fibre of his
heart. Then in simple but strong language the silver-haired old man,
who seemed a type of the ancient prophets, portrayed the great white
throne of God's justice, snowy, too dazzling for human eyes, and the
conscience-stricken man shrunk and cowered.
He turned to Annie to see how this train of thought, so terrific to
him, affected her. Not a trace of fear was upon her face, but only
serene, reverent awe. He glanced at Mr. Walton, but the old magistrate
sat in his place, calm and dignified, evidently approving the action of
the greater Judge. Miss Eulie's face, as seen between himself and the
light of the window, appeared spirit-like.
"Thus they will look on the Judgment Day," thought Gregory, "while I
tremble even at its picture. O the vital difference between guilt and
innocence, between faith and unbelief!"
If the venerable clergyman had been talking personally to Gregory or
any sinful creature, he would not have concluded his subject where he
did. He would have shown how between the throne of justice and the
sinner there stood an Advocate, an Intercessor, a Saviour. But having
logically developed his text, he finished his discourse. Perhaps on the
following Sabbath he might present the mercy of God with equal
clearness. But the sermon of the day, standing alone and confirming the
threatenings of an accusing conscience, depressed Gregory greatly. It
did not anger him, as such truth usually did. He was too weak and
despairing. He now felt the hopelessness and folly of opposition. The
idea of getting into a passion with fate! Only weak natures fume at the
inevitable. There is a certain dignity in silent, passive despair.
Public-domain text, read in full here on John Shaqi.
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