American fiction -- 19th century; California -- Social life and customs -- Fiction; Short stories; Western stories
He opened the door of the sitting-room deliberately, and walked in with
a certain formal precision. But the figure of a woman arose from the
sofa, and with a slight outcry, half playful, half hysterical, threw
herself upon his breast with the single exclamation, “Jim!” He started
back from the double shock. For the woman was NOT his wife! A woman
extravagantly dressed, still young, but bearing, even through her
artificially heightened color, a face worn with excitement, excess, and
premature age. Yet a face that as he disengaged himself from her arms
grew upon him with a terrible recognition, a face that he had once
thought pretty, inexperienced, and innocent,--the face of the widow of
his former partner, Cutler, the woman he was to have married on the day
he fled. The bitter revulsion of feeling and astonishment was evidently
visible in his face, for she, too, drew back for a moment as they
separated. But she had evidently been prepared, if not pathetically
inured to such experiences. She dropped into a chair again with a dry
laugh, and a hard metallic voice, as she said,--
“Well, it's YOU, anyway--and you can't get out of it.”
As he still stared at her, in her inconsistent finery, draggled and
wet by the storm, at her limp ribbons and ostentatious jewelry, she
continued, in the same hard voice,--
“I thought I spotted you once or twice before; but you took no notice of
me, and I reckoned I was mistaken. But this afternoon at the Temple of
Music”--
“Where?” said James Smith harshly.
“At the Temple--the San Francisco Troupe performance--where you brushed
by me, and I heard your voice saying, 'Beg pardon!' I says, 'That's Jim
Farendell.'”
“Farendell!” burst out James Smith, half in simulated astonishment, half
in real alarm.
“Well! Smith, then, if you like better,” said the woman impatiently;
“though it's about the sickest and most played-out dodge of a name you
could have pitched upon. James Smith, Don Diego Smith!” she repeated,
with a hysteric laugh. “Why, it beats the nigger minstrels all hollow!
Well, when I saw you there, I said, 'That's Jim Farendell, or his twin
brother;' I didn't say 'his ghost,' mind you; for, from the beginning,
even before I knew it all, I never took any stock in that fool yarn
about your burnt bones being found in your office.”
“Knew all, knew what?” demanded the man, with a bravado which he
nevertheless felt was hopeless.
She rose, crossed the room, and, standing before him, placed one hand
upon her hip as she looked at him with half-pitying effrontery.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account