Operas Every Child Should Know: Descriptions of the Text and Music of Some of the Most Famous MasterpiecesBacon, Mary Schell Hoke
History
Operas Every Child Should Know: Descriptions of the Text and Music of Some of the Most Famous Masterpieces
Bacon, Mary Schell Hoke
Music -- History and criticism -- Juvenile literature; Operas -- Stories, plots, etc.
"Now I have caught you," he cried wickedly, but as he called to the
slaves who attended him to bind Papageno, the latter thought of his
chime of bells.
"Maybe they will save me," he cried, and at once he began to play.
Then all the slaves began to dance, while Monostatos himself was
utterly enchanted at the sweet sound. As the bells continued to chime,
Monostatos and the slaves began to leave with a measured step, till
the pair found themselves alone and once more quite safe. Then the
chorus within began to sing "Long life to Sarastro," and at that the
two trembled again.
"Sarastro! Now what is going to happen?" Papageno whispered.
While they stood trembling, Sarastro appeared, borne on a triumphal
car, drawn by six lions, and followed by a great train of attendants
and priests. The chorus all cried, "Long life to Sarastro! Long life
to our guard and master!"
When Sarastro stepped from the car, Pamina knelt at his feet.
"Oh, your greatness!" she cried. "I have sorely offended thee in
trying to escape, but the fault was not all mine. The wicked Moor,
Monostatos, made the most violent love to me, and it was from him I
fled."
"All is forgiven thee, but I cannot set thee free," Sarastro replied.
"Thy mother is not a fitting guardian for thee, and thou art better
here among these holy people. I know that thy heart is given to a
youth, Tamino." As he spoke, the Moor entered, followed by Prince
Tamino. For the first time the two lovers met, and they were at once
enchanted with each other.
At once Monostatos's anger became very great, since he, too, loved the
Princess. He summoned his slaves to part them. Kneeling in his turn at
Sarastro's feet he protested that he was a good and valiant man, whom
Sarastro knew well, and he complained that Pamina had tried to flee.
"Thou art about good enough to have the bastinado," Sarastro replied,
and thereupon ordered the slaves to whip the false Moor, who was
immediately led off to punishment. After that, Sarastro ordered the
lovers to be veiled and led into the temple to go through certain
rites. They were to endure a period of probation, and if they came
through the ordeal of waiting for each other properly they were to be
united.
ACT II
The priests assembled in a grove of palms, where they listened to the
story of Pamina and Tamino, told by Sarastro.
"The Princess was torn from the Queen of the Night, great priests,
because that Queen would overthrow our temple, and here Pamina is to
remain till purified; if you will accept this noble youth for her
companion, after they have both been taught in the ways of wisdom,
follow my example," and immediately Sarastro blew a blast upon a horn.
All the priests blew their horns in concurrence.
Sarastro sang a hymn to the gods, and then he and his priests
disappeared. Tamino and Papageno were next led in to the temple porch.
It was entirely dark.
"Art thou still near me, Papageno?" he asked.
Public-domain text, read in full here on John Shaqi.
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