Operas Every Child Should Know: Descriptions of the Text and Music of Some of the Most Famous MasterpiecesBacon, Mary Schell Hoke
History
Operas Every Child Should Know: Descriptions of the Text and Music of Some of the Most Famous Masterpieces
Bacon, Mary Schell Hoke
Music -- History and criticism -- Juvenile literature; Operas -- Stories, plots, etc.
"What am I to do with this Count? I'd like to fight him and kill him.
He torments me to death. If you don't think out a way to rid me of him
while I am making love to the Countess, I'll get some other fellow to
make life gay for me, Rigoletto," he cried to the dwarf.
"Well, have I not told you--run off with her."
"Oh, yes, that's easy enough to say."
"It's easy enough to _do_. Try it to-night!"
"But what about her husband?"
"Oh, I don't know--let him be arrested."
"No, no, that won't do; he's of noble birth. You are going too far."
"All right! If he is too good to be arrested, then exile him," the
dwarf obligingly arranges, showing thereby his notion of the fitness
of things.
"No! that would hardly do, either," the Duke exclaimed impatiently.
"Well, cut off his head, then." Rigoletto thought that should be an
ending dignified enough for any one. Meantime Ceprano overheard that
pleasing conversation.
"They are black-hearted villains," he muttered aside.
"Cut off that head so unbending," the Duke exclaimed, looking at
Ceprano, who was really a noble-appearing aristocrat.
"Aye--we have discovered its use. Cut it off; that will make it
pliant," the charming dwarf said, facetiously; and that being a bit
too much for any noble to put up with, the Count drew his sword.
"Enough! you ribald hunchback," he cried; at which the Duke became
uneasy.
"Yes, come here, you jesting fool!" he called to Rigoletto, trying to
turn the matter off. "We've had enough of your jests. We are tired of
you. I advise you not to impose too much on our good humour, because
some of this maliciousness may come back at you."
But the Count was not so easily to be pacified. He turned to the other
nobles and asked them to help him revenge himself; but the Duke of
Mantua was very powerful, and few were willing to displease him,
however much they disapproved of his conduct.
"What can we do?" several of them murmured, and meanwhile the dwarf
was trying aside to secure help in carrying off the Countess for the
Duke. That was really too audacious, and all of the nobles finally
sided with the Count, privately agreeing to help him ruin the dwarf,
since they dared not directly oppose the Duke.
While the excitement of this general quarrel was at its height, the
dancers all poured in from the other room and began to sing gaily of
life's pleasures, which were about all that made life worth living. In
the very midst of this revelry some one without made a great noise and
demanded instant admittance. The Duke recognized the voice of
Monterone, a powerful noble, whom he had wronged and cried out
angrily:
"He shall not come in." As a fact, Rigoletto had carried off
Monterone's daughter for the Duke but a little time before.
"Make way there," the old Count insisted, more enraged than ever, and
forcing his way past the attendants, he entered the room. He was an
old and proud man and the nobles present were bound to give heed to
him.
Public-domain text, read in full here on John Shaqi.
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