Operas Every Child Should Know: Descriptions of the Text and Music of Some of the Most Famous MasterpiecesBacon, Mary Schell Hoke
History
Operas Every Child Should Know: Descriptions of the Text and Music of Some of the Most Famous Masterpieces
Bacon, Mary Schell Hoke
Music -- History and criticism -- Juvenile literature; Operas -- Stories, plots, etc.
"Nay, nay," Gilda replied, fearfully; and in her loneliness and
distress she confided to Giovanna how much she loved the Duke. Mantua,
behind the tree, heard all, and, motioning Giovanna to go away, he
came toward Gilda. Giovanna went at once into the house, but Gilda
cried to her to come back, as the sudden appearance of the Duke
frightened her, after the scene she had just had with her father.
Then while the Duke was giving her a false name, and trying to
reassure her, they heard voices outside the garden wall. The Duke
recognized the voice of Borsa and Ceprano. They seemed to be searching
for some house, and again, quite terror-stricken, Gilda started to
rush within.
Giovanna met her. "I am afraid it is your father returned. The young
gentleman must hasten away," she whispered under her breath, and
immediately the Duke went out by another way, through the house. Then
Gilda watched off, down the road, and while she was watching, Borsa,
Ceprano, and other dare-devils of the Duke's court stole into the
garden. Ceprano, who had heard that Gilda was some one beloved by
Rigoletto, although it was not known that she was his daughter, meant
to carry Gilda off, since he owed Rigoletto a grudge. Having seen the
Duke disappear, Gilda had gone within again, and as the kidnappers
were about to enter, they heard Rigoletto coming.
It was then their opportunity to plan a great and tragic joke upon the
wretched dwarf.
"Listen to this!" Borsa whispered. "Let us tell him we are here to
carry off the Countess Ceprano, who has fled here for safety from us.
Then when we have blind-folded him, we will make him help to carry off
his own sweetheart." Just as that infamous plan was formed, in came
Rigoletto. He ran against one of the men in the dark.
"What's this?" he cried.
"H'st! Be silent!"
"Who spoke?" he unconsciously lowered his voice.
"Marullo, you idiot."
"The darkness blinds me, and I cannot see you."
"H'st, Rigoletto! We're for an adventure. We are going to carry off
the Countess Ceprano: she has fled here from us. We had the Duke's key
to get into her place." He holds out the key which the dwarf felt in
the darkness and found the Duke's crest upon it.
"Her palace is on the other side----"
"She fled here, we tell thee. We are stealing her for the Duke. Put on
this mask, hurry!" Marullo tied on a mask and put the jester at the
foot of a ladder which they had run up against the terrace.
"Now hold the ladder till one of us gets over and unfastens the door."
Rigoletto, somewhat dazed, did mechanically what he was told, and the
men entered the house.
"Ah, I shall have a fine revenge on that scamp," Ceprano muttered,
looking toward Rigoletto through the dark.
Public-domain text, read in full here on John Shaqi.
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