Operas Every Child Should Know: Descriptions of the Text and Music of Some of the Most Famous MasterpiecesBacon, Mary Schell Hoke
History
Operas Every Child Should Know: Descriptions of the Text and Music of Some of the Most Famous Masterpieces
Bacon, Mary Schell Hoke
Music -- History and criticism -- Juvenile literature; Operas -- Stories, plots, etc.
"Why not swim down and torment him?" Flosshilde said. "He can never
catch us--such a sluggish creature as he!"
"Hello!" Wellgunde cried; "Scramble up here, if you like." Alberich
tried to join them, but he slipped and rolled about over the wet
stones and cursed in a most terrible way.
"That is all very well, but I am not made for thy wet and slippery
abode. The water makes me sneeze." He sneezed in a manner that set all
the mermaids laughing till their scales shook. However, he at last
reached the rock whereon the gold lay and he had no sooner got near
than the sun shone out so brightly above, that the rays shot through
the waters and reflected a beauteous gleam from the Rheingold.
Alberich started back in amazement.
"What is that, ye sleek ones," he asked, "that gleams so brightly
there?"
"What, imp! Dost thou not know the story of the Rheingold? Come, bathe
in its glow and maybe it will take away a little of thy ugliness," one
of the sisters cried.
"What do I care for the lustre of gold? It is the gold itself that I
want."
"Well, the lustre is all that thou wilt get," Flosshilde answered him.
"The one who would take our gold and hope to make of it the magic ring
must forswear love forever. Who is there who would do that?" she
called, swimming triumphantly toward the rock.
"What is the secret of thy ring that a man must forswear love for it?"
Alberich asked craftily.
"The secret is, that he who would be so rash would have in return
power over all the earth."
"What?" shouted the wretched Nibelung, "Well, then, since love has
forsworn me, I shall lose nothing by forswearing love. I need not
hesitate to use thy gold." Springing and clinging to the rock the
Nibelung tore the gold from its resting place, dived deep into the
river-bed and disappeared into the fissures of the earth. The mermaids
followed frantically, but he was quite gone, and with him the
beautiful gold, which till then had given only innocent pleasure to
the Rhein-daughters. As soon as the gold vanished, the sun was hid,
and the waters turned dark and gloomy. The waves began to grow black,
rough, and high, while the water sank, sank, sank, till only darkness
and a rushing sound could be seen or heard.
As the waves disappeared, a thick mist took their place, and soon
separating, became detached clouds, till at last the sun shone forth
again. As the cloudlets floated quite away a great mountain was
revealed. The water had given place to the surface of the earth, and
there, in the early morning light, lay Fricka, the Goddess of home and
domesticity, and Wotan, the God of War, who was Fricka's husband.
Behind them rose a great cliff and as the sun shone more and more
brightly a splendid palace could be seen rising into the clouds. All
its pinnacles sparkled in the sun's rays, while the river Rhein
flowed peacefully between the mountain peak whereon the palace rose,
and the hills where Wotan and his Goddess lay.
_Scene II_
Public-domain text, read in full here on John Shaqi.
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