Operas Every Child Should Know: Descriptions of the Text and Music of Some of the Most Famous MasterpiecesBacon, Mary Schell Hoke
History
Operas Every Child Should Know: Descriptions of the Text and Music of Some of the Most Famous Masterpieces
Bacon, Mary Schell Hoke
Music -- History and criticism -- Juvenile literature; Operas -- Stories, plots, etc.
"Doing? Why is it not weighty business to-day? The Mastersingers are
to have a trial of voices, to be sure. The pupil, whoever he may be,
whose voice is fine and whose composition breaks none of the rules
that govern those things is to be made free to enter for the prize;
and later, when the great festival of song is on, he may even become a
Mastersinger, himself."
"There, Sir Knight, is your opportunity! You must be the pupil. Eva,
we must be gone and leave Sir Walther to try for thee."
"Oh, heaven! I am all of a fright. I fear I shall never understand
what is expected of me," Walther cried distractedly.
"David here shall tell you, Sir Walther. Here, David, help this brave
gentleman all that you can. I wish it." She looked admonishment at
him.
"Tell him all the plan of the Mastersingers and how they will expect
him to conduct himself in the competition. Come, Eva." But Eva still
lingered. In came two other apprentices, bearing benches. Walther
watched those formidable preparations with uneasiness, walking up and
down the church in dismay.
"Good heaven! I am sure I cannot sing. I have never tried to sing. I
shall never be able to sing. Yet I must sing. What in the world can a
man do, in such a fix?"
"Well, well, do the best you can. David will instruct you, Sir
Knight," said Magdalene, and she hurried away with Eva, leaving the
poor knight alone with the apprentices.
These chaps came in thick and fast, bringing benches for the
Mastersingers to sit upon, and arranging everything in the church for
the trial of song. David kept watching Walther, who had flung himself
into a great ecclesiastical chair, and sat there brooding. After
observing him in silence for a time, David shouted:
"Begin," Walther started.
"What for?"
"Begin!"
"What for?"
"What for?--why that is how the Marker calls. You must then at once go
and sing. Don't you understand anything about this business?" he asked
in amazement.
"Who is the Marker?" Poor Walther asked, more and more bewildered.
"Were you never before at a singing trial?"
"Not where the judges were craftsmen," Walther answered. He was quite
certain if he knew anything about music, it could not be the kind that
shoe-makers, and boiler makers, and the like were acquainted with.
"Are you a poet?"
"I wish I were," Walther sighed dejectedly.
"Are you then a 'scholar'?"
"Lord, no, I think not--I don't know. What is a 'scholar?"
"Don't know that, and yet expect to become a Mastersinger!" David
cried, in amazement. "Well, now, let me tell you, Sir Knight, no one
gets to be a Mastersinger in a minute! For a full year, Hans Sachs,
our greatest master, has been teaching me the art, and I am not yet
even a 'scholar.'"
Shoemaker's craft and Poet's art,
Daily I learn by the heart.
First, all the leather smooth I hammer,
Consonants then, and vowels I stammer.
Next must the thread be stiff with wax,
Then I must learn it rhymes with Sachs.
Public-domain text, read in full here on John Shaqi.
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