Operas Every Child Should Know: Descriptions of the Text and Music of Some of the Most Famous MasterpiecesBacon, Mary Schell Hoke
History
Operas Every Child Should Know: Descriptions of the Text and Music of Some of the Most Famous Masterpieces
Bacon, Mary Schell Hoke
Music -- History and criticism -- Juvenile literature; Operas -- Stories, plots, etc.
"Ho, ho! Then you get nothing out of my basket," she answered, walking
off. Again the boys mocked him, and he grew very angry, telling them
to be off about their business. The quarrel grew so loud that finally
Sachs, coming home unexpectedly, burst into the midst of them and
scattered them.
"What is all this?" he cried.
"The rascals are plaguing me, master," David growled.
"Well, get thee within and light the lamp; lock up and bring the lamp
here to me; after that, put the shoes on the lasts and go"; and as
David went into the workshop to obey, Sachs followed. At that moment,
Eva and her father passed along the path, and seeing the light in
Sachs's house, Pogner peeped through the chink of the door.
"If Sachs is there I shall stop in and speak with him," he said to
Eva. David just then came from the house with a lamp which he placed
upon the work-bench, and seating himself began work upon a pair of
shoes.
"To-morrow will be a fine day for the festival," Pogner said to his
daughter, as they seated themselves upon a stone bench, on their own
side of the path.
"But, father, must I certainly marry the best singer?" Eva asked
anxiously.
"Not unless he pleases thee; but in case he does not, Eva, I have
decided that thou shalt marry no other." He was interrupted by
Magdalene who came to bid them to supper. Eva lingered behind to get a
private word with her.
"What about the knight? Did he succeed?" she asked so anxiously that
it broke Magdalene's heart to tell her the truth.
"David said not--but he would not tell what had happened."
"Maybe I can learn from Hans Sachs; he loves me very much, and may
feel some distress over my trouble. I shall ask him." Just then Sachs
came to the door of his house.
"Come, boy," he said to David, "put up thy work for the night, and get
thee to bed; to-morrow will be a busy day. Put my stool and table
outside the door that I may finish a pair of shoes, and then get thee
to bed." David gathered up his tools, and after arranging Sachs's work
bade him good night. Sachs sat down, with his hands behind his head,
and instead of going at once to work, began to think upon the day's
happenings--and other things, maybe. He leaned his arms upon the lower
half of the door and sometimes spoke his thoughts aloud:
"Truly the young knight is a poet," he mused. Hans himself was a true
poet, tender and loving, and he could think of nothing but Eva's good.
Becoming nervous and apprehensive while thinking of her he began to
hammer at a shoe, but again he ceased to work and tried to think. "I
still hear that strain of the young knight's" and he tried to recall
some part of the song. While he mused thus alone, Eva stole shyly over
to the shop. It had now become quite dark and the neighbours were
going to bed.
"Good evening, Master Sachs! You are still at work?" she asked softly.
Hans started.
Public-domain text, read in full here on John Shaqi.
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